{"version":"1.0","provider_name":"We Love Cinema","provider_url":"https:\/\/welovecinema.be\/nl\/","author_name":"Kurt.Vandemaele","author_url":"https:\/\/welovecinema.be\/nl\/author\/kurt-vandemaele\/","title":"Wouter Van Haver en zijn Overpeinzingen bij de Overgang van '17 naar '18 - We Love Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"DiCwtEWb6c\"><a href=\"https:\/\/welovecinema.be\/nl\/wouter-haver-en-overpeinzingen-overgang-17-naar-18\/\">Wouter Van Haver en zijn Overpeinzingen bij de Overgang van &#8217;17 naar &#8217;18<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/welovecinema.be\/nl\/wouter-haver-en-overpeinzingen-overgang-17-naar-18\/embed\/#?secret=DiCwtEWb6c\" width=\"600\" height=\"338\" title=\"&#8220;Wouter Van Haver en zijn Overpeinzingen bij de Overgang van &#8217;17 naar &#8217;18&#8221; &#8212; We Love Cinema\" data-secret=\"DiCwtEWb6c\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2018\/01\/wouter.jpg","thumbnail_width":2464,"thumbnail_height":1643,"description":"Er blijven aan de lopende band nieuwe regisseurs debuteren. \u00a0Maar waar blijven die nieuwe scenaristen? \u00a0Die vraag horen we wel vaker van mensen die de Vlaamse film doorlichten. \u00a0Wel, er zijn er wel enkele. \u00a0En neen, we willen het niet iedere keer hebben over Malin-Sarah Gozin. \u00a0Groot talent, maar zij richt zich\u00a0volledig op tv-fictie, terwijl &hellip;"}