{"version":"1.0","provider_name":"We Love Cinema","provider_url":"https:\/\/welovecinema.be\/nl\/","author_name":"Kurt.Vandemaele","author_url":"https:\/\/welovecinema.be\/nl\/author\/kurt-vandemaele\/","title":"Sanne Nuyens en haar Overpeinzingen bij de Overgang van '17 naar '18 - We Love Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"KlLTp6KkV7\"><a href=\"https:\/\/welovecinema.be\/nl\/sanne-nuyens-en-overpeinzingen-overgang-17-naar-18\/\">Sanne Nuyens en haar Overpeinzingen bij de Overgang van &#8217;17 naar &#8217;18<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/welovecinema.be\/nl\/sanne-nuyens-en-overpeinzingen-overgang-17-naar-18\/embed\/#?secret=KlLTp6KkV7\" width=\"600\" height=\"338\" title=\"&#8220;Sanne Nuyens en haar Overpeinzingen bij de Overgang van &#8217;17 naar &#8217;18&#8221; &#8212; We Love Cinema\" data-secret=\"KlLTp6KkV7\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2017\/12\/IMG_0276.jpeg","thumbnail_width":320,"thumbnail_height":240,"description":"Wat kan de kwaliteit van de Vlaamse films nog beter maken? \u00a0Die vraag wordt vaak gesteld. \u00a0En vaak luidt het antwoord : begin met het scenario. \u00a0En nu we het daar toch over hebben. \u00a0E\u00e9n van de namen die we wel vaker horen (meestal in \u00e9\u00e9n adem vernoemd met Bert Van Dael, met wie ze &hellip;"}