{"version":"1.0","provider_name":"We Love Cinema","provider_url":"https:\/\/welovecinema.be\/nl\/","author_name":"Kurt.Vandemaele","author_url":"https:\/\/welovecinema.be\/nl\/author\/kurt-vandemaele\/","title":"Peter Kr\u00fcger en zijn 'Overpeinzingen bij de overgang' - We Love Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"7H5RH5nwrN\"><a href=\"https:\/\/welovecinema.be\/nl\/peter-kruger-en-zijn-overpeinzingen-bij-de-overgang\/\">Peter Kr\u00fcger en zijn &#8216;Overpeinzingen bij de overgang&#8217;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/welovecinema.be\/nl\/peter-kruger-en-zijn-overpeinzingen-bij-de-overgang\/embed\/#?secret=7H5RH5nwrN\" width=\"600\" height=\"338\" title=\"&#8220;Peter Kr\u00fcger en zijn &#8216;Overpeinzingen bij de overgang&#8217;&#8221; &#8212; We Love Cinema\" data-secret=\"7H5RH5nwrN\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2016\/01\/11145050_1001128889930514_7213915860422539861_n.jpg","thumbnail_width":960,"thumbnail_height":640,"description":"Internationaal viel het op dat de documentaires het bijzonder goed deden, met in de eerste plaats de film rond Amy Winehouse en Kurt Cobain, maar bij ons stak een documentaire alle fictiefilms de loef af door op de Ensors met de mooiste en de meeste prijzen te gaan lopen. &#8216;N &#8211; The Madness of Reason&#8217; &hellip;"}