{"version":"1.0","provider_name":"We Love Cinema","provider_url":"https:\/\/welovecinema.be\/nl\/","author_name":"Kurt.Vandemaele","author_url":"https:\/\/welovecinema.be\/nl\/author\/kurt-vandemaele\/","title":"Peter Kr\u00fcger en zijn overpeinzingen bij de overgang (2016 - 2017) - We Love Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"JVIo5Razz4\"><a href=\"https:\/\/welovecinema.be\/nl\/peter-kruger-en-overpeinzingen-overgang-2016-2017\/\">Peter Kr\u00fcger en zijn overpeinzingen bij de overgang (2016 &#8211; 2017)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/welovecinema.be\/nl\/peter-kruger-en-overpeinzingen-overgang-2016-2017\/embed\/#?secret=JVIo5Razz4\" width=\"600\" height=\"338\" title=\"&#8220;Peter Kr\u00fcger en zijn overpeinzingen bij de overgang (2016 &#8211; 2017)&#8221; &#8212; We Love Cinema\" data-secret=\"JVIo5Razz4\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/welovecinema.be\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2017\/02\/IMG_0174-1.jpg","thumbnail_width":1104,"thumbnail_height":736,"description":"Peter Kr\u00fcger heeft al een lange staat van dienst als producer en regisseur. \u00a0Maar \u00e9\u00e9n van de hoogtepunten uit zijn carri\u00e8re was vast dat moment bij de Ensors, toen zijn schitterende hybride-docu &#8216;N : The Madness of Reason&#8217; met de prijs voor de beste film van het jaar aan de haal ging en daarmee meteen &hellip;"}