{"version":"1.0","provider_name":"We Love Cinema","provider_url":"https:\/\/welovecinema.be\/nl\/","author_name":"Kurt.Vandemaele","author_url":"https:\/\/welovecinema.be\/nl\/author\/kurt-vandemaele\/","title":"Laura Vandewynckel en haar 'Overpeinzingen bij de overgang' - We Love Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"WerdxMHchT\"><a href=\"https:\/\/welovecinema.be\/nl\/laura-vandewynckel-en-haar-overpeinzingen-bij-de-overgang\/\">Laura Vandewynckel en haar &#8216;Overpeinzingen bij de overgang&#8217;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/welovecinema.be\/nl\/laura-vandewynckel-en-haar-overpeinzingen-bij-de-overgang\/embed\/#?secret=WerdxMHchT\" width=\"600\" height=\"338\" title=\"&#8220;Laura Vandewynckel en haar &#8216;Overpeinzingen bij de overgang&#8217;&#8221; &#8212; We Love Cinema\" data-secret=\"WerdxMHchT\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2015\/12\/PicDirector_LauraVandewynckel-800x533.jpg","thumbnail_width":800,"thumbnail_height":533,"description":"Een naam die het voorbije jaar vele keren in het filmnieuws kwam, was Laura Vandewynckel. \u00a0Met een VAF Wildcard, met haar aanwezigheid op het filmfestival van Cannes en veel, veel meer. \u00a0De jongedame maakte met &#8216;Het Paradijs&#8217; een stopmotion-film die de actualiteit een spiegel voorhield. Al vlug bleek dat die Laura Vandewynckel een dame was &hellip;"}