{"version":"1.0","provider_name":"We Love Cinema","provider_url":"https:\/\/welovecinema.be\/nl\/","author_name":"Kurt.Vandemaele","author_url":"https:\/\/welovecinema.be\/nl\/author\/kurt-vandemaele\/","title":"Karen Vanparys en haar overpeinzingen bij de overgang (2016 - 2017) - We Love Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"oEqBQqgOoI\"><a href=\"https:\/\/welovecinema.be\/nl\/karen-vanparys-en-haar-overpeinzingen-bij-de-overgang\/\">Karen Vanparys en haar overpeinzingen bij de overgang (2016 &#8211; 2017)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/welovecinema.be\/nl\/karen-vanparys-en-haar-overpeinzingen-bij-de-overgang\/embed\/#?secret=oEqBQqgOoI\" width=\"600\" height=\"338\" title=\"&#8220;Karen Vanparys en haar overpeinzingen bij de overgang (2016 &#8211; 2017)&#8221; &#8212; We Love Cinema\" data-secret=\"oEqBQqgOoI\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2017\/01\/15977902_1270482563034095_7274067194377683481_n-1.jpg","thumbnail_width":960,"thumbnail_height":540,"description":"Toen ze enkele jaren geleden de hoofdrol speelde in &#8217;82 Dagen in April&#8217; konden we vaststellen dat ze niets van haar kracht, haar uitstraling, haar intensiteit verloren had. \u00a0Een mooie comeback, dachten we toen. \u00a0Maar zoals de laatste tijd wel vaker gebeurt met Vlaamse films, vond de film van Bart Van den Bempt nauwelijks een &hellip;"}