{"version":"1.0","provider_name":"We Love Cinema","provider_url":"https:\/\/welovecinema.be\/nl\/","author_name":"Kurt.Vandemaele","author_url":"https:\/\/welovecinema.be\/nl\/author\/kurt-vandemaele\/","title":"Evelien Bosmans over de tragiek van de twintiger - We Love Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"HWJ2YyxtiB\"><a href=\"https:\/\/welovecinema.be\/nl\/evelien-bosmans-tragiek-twintiger\/\">Evelien Bosmans over de tragiek van de twintiger<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/welovecinema.be\/nl\/evelien-bosmans-tragiek-twintiger\/embed\/#?secret=HWJ2YyxtiB\" width=\"600\" height=\"338\" title=\"&#8220;Evelien Bosmans over de tragiek van de twintiger&#8221; &#8212; We Love Cinema\" data-secret=\"HWJ2YyxtiB\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2018\/02\/Evelien-Bosmans-2.jpg","thumbnail_width":5472,"thumbnail_height":3648,"description":"Evelien Bosmans is blij met &#8216;Charlie en Hannah gaan uit&#8217;. \u00a0Een film die haar verraste door zijn veelheid. \u00a0Een veelheid aan vorm, aan visuele vondsten, aan zottigheid en aan inhoud ook. \u00a0Even vreesde ze dat er tussen al die waanzinnige idee\u00ebn waarmee Bert Scholiers zijn debuutfilm volpropte geen plaats meer over zou zijn om de &hellip;"}