{"version":"1.0","provider_name":"We Love Cinema","provider_url":"https:\/\/welovecinema.be\/nl\/","author_name":"Kurt.Vandemaele","author_url":"https:\/\/welovecinema.be\/nl\/author\/kurt-vandemaele\/","title":"Deben Van Dam en zijn overpeinzingen bij de overgang (2016 - 2017) - We Love Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"nK0oVr0cqE\"><a href=\"https:\/\/welovecinema.be\/nl\/deben-dam-en-overpeinzingen-overgang-2016-2017\/\">Deben Van Dam en zijn overpeinzingen bij de overgang (2016 &#8211; 2017)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/welovecinema.be\/nl\/deben-dam-en-overpeinzingen-overgang-2016-2017\/embed\/#?secret=nK0oVr0cqE\" width=\"600\" height=\"338\" title=\"&#8220;Deben Van Dam en zijn overpeinzingen bij de overgang (2016 &#8211; 2017)&#8221; &#8212; We Love Cinema\" data-secret=\"nK0oVr0cqE\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/welovecinema.be\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2017\/02\/12466045_10153355735496989_4077145694455843457_o.jpg","thumbnail_width":1417,"thumbnail_height":946,"description":"&#8216;De weg van alle vlees&#8217; was de film die voor Deben Van Dam de weg van alle roem opende, de weg naar het grote werk en vooral de weg naar nieuwe kansen. Het is intussen drie jaar geleden dat hij eerst de publieksprijs wegkaapte op het Filmfest Gent om iets later alles te gaan winnen &hellip;"}