{"id":76476,"date":"2015-08-20T20:00:30","date_gmt":"2015-08-20T18:00:30","guid":{"rendered":"http:\/\/www.cinevox.be\/?p=76476"},"modified":"2015-09-19T16:36:47","modified_gmt":"2015-09-19T14:36:47","slug":"cafard-le-making-of","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/cafard-le-making-of\/","title":{"rendered":"Cafard : le making of"},"content":{"rendered":"

1914. Pendant qu’\u00e0 Buenos Aires Jean Lemarin remporte le titre de champion du monde de lutte, sa fille Mimi est viol\u00e9e \u00e0 Ostende par des soldats allemands.<\/p>\n

Jean fait le serment de venger cette ignominie.<\/p>\n

Avec son entra\u00eeneur Victor et son neveu Guido, il s’engage au sein du prestigieux bataillon ACM (\u201cAutos-Canons-Mitrailleuses\u201d). Mais les lourds v\u00e9hicules blind\u00e9s ont le d\u00e9faut de s’enfoncer dans la boue flamande et le bataillon est mut\u00e9 vers le front de l’Est.<\/p>\n

Au grand dam de Jean, qui vient d’apprendre que Mimi est enceinte, d\u00e9bute ainsi une odyss\u00e9e dramatique autour du monde…<\/p>\n

 <\/p>\n

Rien dans le pitch ne le laisse deviner, mais Cafard<\/em>, sign\u00e9 par Jan Bultheel, est bien un film d’animation, \u00e9tonnant\u2026 c’est le moins qu’on puisse \u00e9crire. Tr\u00e8s stylis\u00e9e, unique en son genre, l’\u0153uvre r\u00e9alis\u00e9e gr\u00e2ce aux m\u00e9thodes de ‘motion capture’ et de ‘facial tracking’ est passionnante, d\u00e9finitivement r\u00e9serv\u00e9e \u00e0 un public plut\u00f4t ado\/adulte.
\nPetit d\u00e9tail qui a son importance: la voix du personnage principale (bilingue) est interpr\u00e9t\u00e9e par Wim Willaert<\/p>\n

 <\/p>\n

Le film sort le 23 septembre, mais on le d\u00e9couvrira d’abord en cl\u00f4ture du 9e<\/sup> festival d’Ostende. Premi\u00e8re francophone durant les BNP Paribas Fortis Film Days.<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

\u00ab\u00a0 L’approche technique que nous avons d\u00e9velopp\u00e9e pour Cafard est ambitieuse\u00a0\u00bb, explique le r\u00e9alisateur. \u00ab\u00a0En ayant recours \u00e0 une technologie rapide et efficace d\u00e9velopp\u00e9e par l’industrie du jeu vid\u00e9o, nous combinons l’impact \u00e9motionnel de \u00ab\u00a0vrais\u00a0\u00bb acteurs dramatiques, comme dans un film de fiction, aux qualit\u00e9s artistiques et l’imaginaire sans contraintes d’un film d’animation. Le meilleur des trois mondes!<\/em><\/p>\n

\u00a0En voici les \u00e9l\u00e9ments principaux :<\/em><\/p>\n

Pas de story-board<\/em><\/p>\n

Une technologie de capture du mouvement avec enregistrement simultan\u00e9 de la voix<\/em><\/p>\n

Un look graphique raffin\u00e9 avec des mod\u00e8les en low-poly et des textures simplifi\u00e9es<\/em><\/p>\n

Je pense qu’un story-board peut \u00eatre un obstacle \u00e0 la cr\u00e9ativit\u00e9. \u00ab\u00a0Cafard\u00a0\u00bb est bas\u00e9 sur le talent de ses acteurs, sur leur interpr\u00e9tation artistique de r\u00f4les dramatiques. Forcer les dialogues et l’action pour se conformer \u00e0 un story-board pr\u00e9d\u00e9fini est une entrave \u00e0 cette libert\u00e9 artistique.<\/em><\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

\u00a0<\/em><\/p>\n

La technologie de capture du mouvement est une industrie innovante, en plein essor. Cafard est destin\u00e9 \u00e0 un public adulte. Nous capturons les actions r\u00e9alistes des personnages, avec un impact \u00e9motionnel direct qu’aucune autre technique ne peut atteindre.<\/em><\/p>\n

\u00a0<\/em><\/p>\n

Dans Cafard la technologie num\u00e9rique est r\u00e9duite au strict minimum. Le r\u00e9sultat final est un univers graphique simple qui met l’accent sur l’action dramatique des personnages, non pas sur des prouesses technologiques.<\/em><\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

\u00a0<\/em><\/p>\n

Cafard est aussi pour moi un d\u00e9fi artistique, visant \u00e0 obtenir un impact maximal avec des ressources tr\u00e8s r\u00e9duites. Une couleur bien choisie peut \u00eatre plus parlante qu’un long dialogue. Une simple ligne trac\u00e9e au crayon peut \u00e9voquer un d\u00e9cor de mani\u00e8re plus imm\u00e9diate qu’un millier d’artifices. C’est par cette philosophie artistique que Cafard \u00a0\u00bb veut rayonner par sa simplicit\u00e9. En dire plus avec moins.\u00a0\u00bb<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

1914. Pendant qu’\u00e0 Buenos Aires Jean Lemarin remporte le titre de champion du monde de lutte, sa fille Mimi est viol\u00e9e \u00e0 Ostende par des soldats allemands. Jean fait le serment de venger cette ignominie. Avec son entra\u00eeneur Victor et son neveu Guido, il s’engage au sein du prestigieux bataillon ACM (\u201cAutos-Canons-Mitrailleuses\u201d). Mais les lourds …<\/p>\n","protected":false},"author":7,"featured_media":76480,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1923],"tags":[],"class_list":["post-76476","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-en-bref"],"yoast_head":"\nCafard : le making of - We Love Cinema<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/welovecinema.be\/fr\/cafard-le-making-of\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cafard : le making of - We Love Cinema\" \/>\n<meta property=\"og:description\" content=\"1914. 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