{"id":46024,"date":"2013-09-30T06:41:41","date_gmt":"2013-09-30T04:41:41","guid":{"rendered":"http:\/\/www.cinevox.be\/?p=46024"},"modified":"2013-09-30T23:24:28","modified_gmt":"2013-09-30T21:24:28","slug":"faire-court-notre-selection-belge","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/faire-court-notre-selection-belge\/","title":{"rendered":"Pour faire court, notre s\u00e9lection belge."},"content":{"rendered":"

Tous les courts m\u00e9trages belges en comp\u00e9tition au FIFF ont \u00e9t\u00e9 pr\u00e9sent\u00e9s samedi en rafale\u00a0: quatre s\u00e9ances de six films, vingt-quatre en tout. Soit plus de huit heures de d\u00e9couvertes.<\/span><\/p>\n

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Un jury de cin\u00e9philes professionnels (photo ci-dessous) remettra deux prix \u00e0 l\u2019issue de la semaine. Il est dirig\u00e9 par l\u2019acteur, sc\u00e9nariste et r\u00e9alisateur fran\u00e7ais Gr\u00e9goire Colin et compos\u00e9 de Gerlando Infuso, r\u00e9alisateur belge, Marie-Elsa Sguakdo, r\u00e9alisatrice suisse qui a remport\u00e9 le Bayard d\u2019or du meilleur court de la section internationale l\u2019an dernier, Miguel Valverde programmateur portugais et Erika Sainte, Magritte 2012 du meilleur espoir f\u00e9minin pour sa performance dans Elle ne pleure pas elle chante.<\/p>\n

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(photo FIFF)\u00a0<\/em><\/p>\n

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Dans cette s\u00e9lection intense, Cinevox a tr\u00e8s subjectivement d\u00e9cid\u00e9 de mettre en avant quelques coups de c\u0153ur. Une s\u00e9lection qui ne pr\u00e9sage en rien du palmar\u00e8s, mais se base aussi en partie sur les r\u00e9actions d\u2019un public tr\u00e8s nombreux qui a pris d\u2019assaut le Palais des Congr\u00e8s pendant toute la journ\u00e9e.<\/p>\n

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On l’attendait, il ne nous a pas d\u00e9\u00e7u. Matthieu Donck a cass\u00e9 la baraque avec Partouze. Tout y est r\u00e9ussi : l’histoire improbable, l’ambiance d\u00e9sopilante et l’interpr\u00e9tation chorale d’Anne-Pascale Clairembourg, Catherine Sal\u00e9e, Ingrid Heiderscheidt, Jean-Beno\u00eet Ugeux, Yoann Blanc, Erico Salamone.\u00a0On en retiendra entre autres L’IMAGE de la journ\u00e9e.<\/p>\n

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Il y avait peu de franches com\u00e9dies dans la s\u00e9lection, mais elles ont fait mouche. Welkom de\u00a0Pablo Munoz Gomez, film de fin d’\u00e9tudes a \u00e9pat\u00e9 la galerie. Il faut dire qu’il est servi par un casting en or : \u00a0Jean-Jacques Rausin, Wim Willaert, Simon Andr\u00e9. Et une poule aussi. Au service d’une id\u00e9e en or, bien d\u00e9velopp\u00e9e.<\/p>\n

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On peut faire rire aussi avec un documentaire. La preuve avec Au plus haut des cieux de Quentin Piron qui s\u2019attache \u00e0 Alphonsine, une petite dame carolo de 78 ans au caract\u00e8re bien tremp\u00e9. Ou comment faire rire avec des choses finalement tr\u00e8s tristes.<\/p>\n

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On en parle depuis quelques mois et Electric Indigo n\u2019a pas d\u00e9\u00e7u. Jean-Julien Collette y d\u00e9veloppe un univers tr\u00e8s personnel et une histoire qui m\u00e9riterait plus de temps et moins de voix off. Le r\u00e9alisateur devrait en faire un long. C\u2019est une tr\u00e8s belle id\u00e9e. Avec Christelle Cornil, Tony Denman, Rub\u00e9n Tom\u00e1s, Jean Collette, C\u00e9line Peret.<\/p>\n

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Au rayon des drames, on retiendra s\u00fbrement Mouettes de Zeno Graton qui d\u00e9tonne par un sens de la mise en sc\u00e8ne exaltant. Le sujet est moins original sans doute, mais son traitement, l\u2019interpr\u00e9tation et un plan s\u00e9quence \u00e9patant emporte l\u2019adh\u00e9sion. Avec Judith Williquet (une des jeunes com\u00e9diennes mise en vedette par le FIFF cette ann\u00e9e), Damien Chapelle et Radenko Stupar.<\/p>\n

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La s\u00e9lection proposait quelques films d\u2019animation assez r\u00e9ussis. On en retiendra deux\u00a0: l\u2019hilarant et ultra court La vie Sexuelle des dinosaures de Delphine Hermans et le tr\u00e8s bluesy et formellement captivant Betty\u2019s Blues de R\u00e9mi Vandenitte, notre coup de c\u0153ur de la cat\u00e9gorie.<\/p>\n

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Plusieurs acteurs \u00e9taient pr\u00e9sents dans plusieurs courts. Wim Willaert par exemple ou Sam Louwijck. Mais dans le genre, notre mention sp\u00e9ciale va \u00e0 Fabrice Adde qu\u2019on voit bien trop rarement sur grand \u00e9cran. Le jeune cambrioleur d\u2019Eldorado a offert ici deux performances enthousiasmantes. Il incarne un fermier confront\u00e9 \u00e0 la fin d\u2019une \u00e9poque dans Le Conseiller et un illumin\u00e9 (\u00a0?) dans Galia dont le th\u00e8me \u00e9voque furieusement Take Shelter de Jeff Nichols.<\/p>\n

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Beaucoup de courts m\u00e9trages souffrent de l\u2019absence d\u2019une chute. Ce n\u2019est pas le cas de la premi\u00e8re r\u00e9alisation de Marc Zinga qu\u2019on verra bient\u00f4t dans Akwaba de Benoit Mariage. Son Grand Gar\u00e7on dans lequel il c\u00f4toie Laurent Capelluto, Nora Tsibidas, et Christiane Van Loey joue avec une id\u00e9e tr\u00e8s inattendue et finalement assez d\u00e9routante. Bien jou\u00e9. Dans tous les sens du terme (mais avec ce casting-l\u00e0, on \u00e9tait rassur\u00e9)<\/p>\n

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Certains courts souffraient d\u2019une absence de contenu ou de tension, voire d\u2019int\u00e9r\u00eat, mais aucun de ceux retenus samedi ne juraient par la direction d\u2019acteurs. L\u2019id\u00e9al \u00e9tant d\u2019exceller sur tous les tableaux. On retiendra ainsi deux rencontres\u00a0: celle de J\u00e9r\u00e9mie Renier (mais oui) et du jeune Gary Seghers pour un Intus noir, claustro, captivant et formellement abouti ainsi que celle du fran\u00e7ais Aur\u00e9lien Labruy\u00e8re et du remuant Kaspar Vogler qui signe un incongru Plut\u00f4t la Vie plein d\u2019id\u00e9es et de trouvailles.<\/p>\n

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Tous les courts m\u00e9trages belges en comp\u00e9tition au FIFF ont \u00e9t\u00e9 pr\u00e9sent\u00e9s samedi en rafale\u00a0: quatre s\u00e9ances de six films, vingt-quatre en tout. Soit plus de huit heures de d\u00e9couvertes.<\/p>\n","protected":false},"author":7,"featured_media":46041,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[12,7],"tags":[],"class_list":["post-46024","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-awards","category-actualites"],"yoast_head":"\nPour faire court, notre s\u00e9lection belge. - We Love Cinema<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/welovecinema.be\/fr\/faire-court-notre-selection-belge\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pour faire court, notre s\u00e9lection belge. - We Love Cinema\" \/>\n<meta property=\"og:description\" content=\"Tous les courts m\u00e9trages belges en comp\u00e9tition au FIFF ont \u00e9t\u00e9 pr\u00e9sent\u00e9s samedi en rafale\u00a0: quatre s\u00e9ances de six films, vingt-quatre en tout. 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