{"id":36533,"date":"2013-02-01T13:49:32","date_gmt":"2013-02-01T13:49:32","guid":{"rendered":"http:\/\/www.cinevox.be\/?p=36533"},"modified":"2013-02-01T07:25:03","modified_gmt":"2013-02-01T07:25:03","slug":"3e-magritte-du-cinema-nos-pronostics-44les-coprods-les-courts-les-docus","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/3e-magritte-du-cinema-nos-pronostics-44les-coprods-les-courts-les-docus\/","title":{"rendered":"3e Magritte du Cin\u00e9ma <br>Nos pronostics (4\/4)<br>Les coprods, les courts, les docus."},"content":{"rendered":"<p>Les quatre derni\u00e8res cat\u00e9gories abord\u00e9es aux Magritte sont l\u00e9g\u00e8rement diff\u00e9rentes puisque par la force des choses, elles se croisent tr\u00e8s peu avec les quinze autres. Sections en marge par leur essence m\u00eame, elles soulignent quelques sp\u00e9cificit\u00e9s de notre cin\u00e9ma : les coproductions qui sont pour nous une seconde nature; le documentaire, un genre phare de notre production et les courts m\u00e9trages qui, souvent, nous d\u00e9signent les grands cin\u00e9astes de demain.<\/p>\n<p>\u00c0 ce niveau, le parcours en Belgique suit une logique assez r\u00e9jouissante: tu brilles sur format court, puis on te donne ta chance en long. Et si tu as beaucoup de talents, peut-\u00eatre un jour finis-tu ta course aux Magritte. Pour certain, le parcours est assez rapide: demandez \u00e0 Fran\u00e7ois Pirot ce qu\u2019il en pense.<!--more--><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a rel=\"attachment wp-att-36534\" href=\"http:\/\/www.cinevox.be\/3e-magritte-du-cinema-nos-pronostics-44les-coprods-les-courts-les-docus\/2012-05-16-11h07_16-4\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-36534\" title=\"2012-05-16 11h07_16\" src=\"http:\/\/www.cinevox.be\/wp-content\/uploads\/sites\/2\/2013\/01\/2012-05-16-11h07_16.jpg\" alt=\"\" width=\"1114\" height=\"738\" srcset=\"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2013\/01\/2012-05-16-11h07_16.jpg 1114w, https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2013\/01\/2012-05-16-11h07_16-407x270.jpg 407w, https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2013\/01\/2012-05-16-11h07_16-800x529.jpg 800w\" sizes=\"auto, (max-width: 1114px) 100vw, 1114px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Au rayon de la meilleure coproduction internationale, on voit mal <em>Le cochon de Gaza<\/em> venir endiguer la supr\u00e9matie des <em>Films du Fleuve <\/em>qui avec trois titres sur quatre devrait rafler la mise. Le dernier long m\u00e9trage de Ken Loach \u00e9tant plut\u00f4t mineur dans sa formidable filmographie, la lutte devrait se circonscrire entre <em>De rouille et d\u2019Os<\/em> de Jacques Audiard et <em>L\u2019Exercice de l\u2019\u00c9tat<\/em> de Pierre Schoeller. Avantage au premier? De tr\u00e8s peu, alors&#8230;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a rel=\"attachment wp-att-36535\" href=\"http:\/\/www.cinevox.be\/3e-magritte-du-cinema-nos-pronostics-44les-coprods-les-courts-les-docus\/de-film-2\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-36535\" title=\"de-film\" src=\"http:\/\/www.cinevox.be\/wp-content\/uploads\/sites\/2\/2013\/01\/de-film.jpg\" alt=\"\" width=\"622\" height=\"355\" srcset=\"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2013\/01\/de-film.jpg 622w, https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2013\/01\/de-film-200x113.jpg 200w, https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2013\/01\/de-film-473x270.jpg 473w\" sizes=\"auto, (max-width: 622px) 100vw, 622px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Le Magritte de la meilleure coproduction avec la Flandre a \u00e9t\u00e9 l\u2019un des quatre troph\u00e9es remport\u00e9s en 2012 par<em> Rundskop<\/em>. Logique\u2026 Cette ann\u00e9e dans un contexte num\u00e9riquement moins relev\u00e9 (seulement trois longs m\u00e9trages en lice), la r\u00e9compense ne devrait pas \u00e9chapper \u00e0 <em>A Tout Jamais\/Tot Altijd<\/em> de notre parrain <strong>Nic Balthazar<\/strong>. D\u00e9j\u00e0 \u00e9lu meilleur film aux Ensor du cin\u00e9ma flamand en septembre, ce m\u00e9lo qui traite de la reconnaissance de l\u2019euthanasie en Belgique est l\u2019hyper favori de sa cat\u00e9gorie. Avec ses 200.000 spectateurs en salles, le drame de Nic Balthazar a prouv\u00e9 une nouvelle fois que nos voisins savaient combiner exigence du propos et attrait de la forme.<\/p>\n<p>&nbsp;<\/p>\n<p><a rel=\"attachment wp-att-36536\" href=\"http:\/\/www.cinevox.be\/3e-magritte-du-cinema-nos-pronostics-44les-coprods-les-courts-les-docus\/le-cri-du-homard_2-2\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-36536\" title=\"le-cri-du-homard_2\" src=\"http:\/\/www.cinevox.be\/wp-content\/uploads\/sites\/2\/2013\/01\/le-cri-du-homard_21.jpg\" alt=\"\" width=\"1919\" height=\"1035\" srcset=\"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2013\/01\/le-cri-du-homard_21.jpg 1919w, https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2013\/01\/le-cri-du-homard_21-480x258.jpg 480w, https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2013\/01\/le-cri-du-homard_21-800x431.jpg 800w\" sizes=\"auto, (max-width: 1919px) 100vw, 1919px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Parmi les courts m\u00e9trages, la lutte sera \u00e9galement acharn\u00e9e : les quatre films sur la ligne de d\u00e9part ont de solides arguments. Mais la r\u00e9cente nomination du <em>Cri du homard<\/em> en fait le favori l\u00e9gitime de la comp\u00e9tition. Nous ne jurerions pourtant pas que <em>A New Old story<\/em> d\u2019Antoine Cuypers\u00a0 a dit son dernier mot. Son esth\u00e9tisme sophistiqu\u00e9 et la pr\u00e9sence d\u2019un quatuor d\u2019acteurs magnifiques pourraient redistribuer les cartes.<\/p>\n<p>&nbsp;<\/p>\n<p><a rel=\"attachment wp-att-36538\" href=\"http:\/\/www.cinevox.be\/3e-magritte-du-cinema-nos-pronostics-44les-coprods-les-courts-les-docus\/chebeya-2-3\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-36538\" title=\"chebeya 2\" src=\"http:\/\/www.cinevox.be\/wp-content\/uploads\/sites\/2\/2013\/01\/chebeya-2.jpg\" alt=\"\" width=\"640\" height=\"426\" srcset=\"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2013\/01\/chebeya-2.jpg 640w, https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2013\/01\/chebeya-2-405x270.jpg 405w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Rayon docu, les profils des candidats sont on ne peut plus int\u00e9ressants et m\u00eame si on peut trouver une ligne directrice dans les th\u00e9matiques (l\u2019Afrique), les axes d\u2019approche sont tr\u00e8s diversifi\u00e9s. Thierry Michel et son <em>Affaire Chebeya, un crime d\u2019\u00c9tat ?<\/em> a cr\u00e9\u00e9 l\u2019\u00e9v\u00e9nement en remuant \u00a0la communaut\u00e9 internationale et les autorit\u00e9s congolaises au point de se faire d\u00e9clarer persona non grata \u00e0 Kinshasa. Mais <em>Le th\u00e9 ou l\u2019\u00e9lectricit\u00e9<\/em> de J\u00e9r\u00f4me le Maire avec son approche singuli\u00e8re de l\u2019hyper globalisation \u00a0a \u00e9t\u00e9 retenu aux European Film Awards. Enfin, dans la profession <em>Cin\u00e9ma Inch\u2019Allah <\/em>!\u00a0 de Vincent Coen et Guillaume Vanderberghe a \u00e9t\u00e9 tr\u00e8s bien re\u00e7u. Pour nous, Thierry Michel garde la main, mais nous ne la mettrions pas au feu (la main, donc)<\/p>\n<p>&nbsp;<\/p>\n<p>Samedi soir, nous serons naturellement fix\u00e9s. Nous saurons si nous avons bien senti d\u2019o\u00f9 vient le vent ou si le libre arbitre de chacun et des \u00e9l\u00e9ments que nous n\u2019avons pas anticip\u00e9s ont port\u00e9 les voix dans des directions inattendues.<\/p>\n<p>Quoi qu\u2019il en soit, quels que soient les laur\u00e9ats, une chose est certaine : les Magritte du Cin\u00e9ma sont une grande f\u00eate et plus les gagnants seront discut\u00e9s, plus on parlera d\u2019eux et de ceux qu\u2019ils ont supplant\u00e9s. 100% b\u00e9n\u00e9fice pour tout le monde.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Les quatre derni\u00e8res cat\u00e9gories abord\u00e9es aux Magritte sont l\u00e9g\u00e8rement diff\u00e9rentes puisque par la force des choses, elles se croisent tr\u00e8s peu avec les quinze autres. Sections en marge par leur essence m\u00eame, elles soulignent quelques sp\u00e9cificit\u00e9s de notre cin\u00e9ma : les coproductions qui sont pour nous une seconde nature; le documentaire, un genre phare de &hellip;<\/p>\n","protected":false},"author":7,"featured_media":36540,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1923],"tags":[],"class_list":["post-36533","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-en-bref"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>3e Magritte du Cin\u00e9ma Nos pronostics (4\/4)Les coprods, les courts, les docus. - We Love Cinema<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/welovecinema.be\/fr\/3e-magritte-du-cinema-nos-pronostics-44les-coprods-les-courts-les-docus\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"3e Magritte du Cin\u00e9ma Nos pronostics (4\/4)Les coprods, les courts, les docus. - We Love Cinema\" \/>\n<meta property=\"og:description\" content=\"Les quatre derni\u00e8res cat\u00e9gories abord\u00e9es aux Magritte sont l\u00e9g\u00e8rement diff\u00e9rentes puisque par la force des choses, elles se croisent tr\u00e8s peu avec les quinze autres. Sections en marge par leur essence m\u00eame, elles soulignent quelques sp\u00e9cificit\u00e9s de notre cin\u00e9ma : les coproductions qui sont pour nous une seconde nature; le documentaire, un genre phare de &hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/welovecinema.be\/fr\/3e-magritte-du-cinema-nos-pronostics-44les-coprods-les-courts-les-docus\/\" \/>\n<meta property=\"og:site_name\" content=\"We Love Cinema\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/welovecinema.be\" \/>\n<meta property=\"article:published_time\" content=\"2013-02-01T13:49:32+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2013-02-01T07:25:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2013\/02\/IMG_4042-800x533.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"533\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Philippe.Pierquin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Philippe.Pierquin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/welovecinema.be\/fr\/3e-magritte-du-cinema-nos-pronostics-44les-coprods-les-courts-les-docus\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/welovecinema.be\/fr\/3e-magritte-du-cinema-nos-pronostics-44les-coprods-les-courts-les-docus\/\"},\"author\":{\"name\":\"Philippe.Pierquin\",\"@id\":\"https:\/\/welovecinema.be\/nl\/#\/schema\/person\/4b9b1d857f0943453a38a7c2859ef756\"},\"headline\":\"3e Magritte du Cin\u00e9ma Nos pronostics (4\/4) Les coprods, les courts, les docus.\",\"datePublished\":\"2013-02-01T13:49:32+00:00\",\"dateModified\":\"2013-02-01T07:25:03+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/welovecinema.be\/fr\/3e-magritte-du-cinema-nos-pronostics-44les-coprods-les-courts-les-docus\/\"},\"wordCount\":681,\"publisher\":{\"@id\":\"https:\/\/welovecinema.be\/nl\/#organization\"},\"articleSection\":[\"En bref\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/welovecinema.be\/fr\/3e-magritte-du-cinema-nos-pronostics-44les-coprods-les-courts-les-docus\/\",\"url\":\"https:\/\/welovecinema.be\/fr\/3e-magritte-du-cinema-nos-pronostics-44les-coprods-les-courts-les-docus\/\",\"name\":\"3e Magritte du Cin\u00e9ma Nos pronostics (4\/4) Les coprods, les courts, les docus. - 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