{"id":270421,"date":"2026-03-03T12:21:35","date_gmt":"2026-03-03T11:21:35","guid":{"rendered":"https:\/\/welovecinema.be\/?p=270421"},"modified":"2026-03-03T12:21:35","modified_gmt":"2026-03-03T11:21:35","slug":"bandes-dhysteriques-ou-la-grande-histoire-du-feminisme-en-belgique","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/bandes-dhysteriques-ou-la-grande-histoire-du-feminisme-en-belgique\/","title":{"rendered":"\u00ab\u00a0Bandes d’hyst\u00e9riques\u00a0\u00bb, ou la grande histoire du f\u00e9minisme en Belgique"},"content":{"rendered":"

Avec Bandes d’Hyst\u00e9riques<\/em>, Kita Bauchet revient sur une d\u00e9cennie de luttes f\u00e9ministes en Belgique, \u00e0 travers un documentaire m\u00ealant des images d’archives d’une grande richesse, des t\u00e9moignages forts et vibrants de pionni\u00e8res de ces combats, et une place singuli\u00e8re faite aux mots de la lutte, interpr\u00e9t\u00e9s par des com\u00e9diennes qui donnent corps et \u00e2me au r\u00e9cit de ces ann\u00e9es charni\u00e8res qui adressent d\u00e9j\u00e0 les grandes questions qui traversent encore la soci\u00e9t\u00e9 aujourd’hui.<\/strong><\/p>\n

Apr\u00e8s le tr\u00e8s beau Bains publics<\/em>, qui racontait le quotidien de la piscine de la Place du Jeu de Balle dans les Marolles, qui sert aussi de bains-douches, de salle de boxe, que de lieu de socialisation, la r\u00e9alisatrice bruxelloise Kita Bauchet revient avec Bandes d’hyst\u00e9riques<\/em>, chronique des luttes f\u00e9ministes des ann\u00e9es 70 en Belgique francophone et n\u00e9erlandophone. Apr\u00e8s 50 ans de silence, le film rend la parole \u00e0 ces femmes pirates qui ont bataill\u00e9 pour plus d\u2019\u00e9galit\u00e9 et exhume des images in\u00e9dites de ces luttes qui dormaient dans les archives depuis toutes ces ann\u00e9es.<\/p>\n

On croise dans le film des militantes dr\u00f4les, passionn\u00e9es, en col\u00e8re et en empathie, bien d\u00e9cid\u00e9es \u00e0 faire avancer les choses, formidablement cr\u00e9atives, et r\u00e9solument engag\u00e9es. Leurs actions m\u00ealent ouvri\u00e8res et intellectuelles, h\u00f4tesses de l’air et historiennes. A Anvers ou \u00e0 Gand, les Dolle Mina m\u00e8nent des op\u00e9rations coups de poing ludiques et d\u00e9cal\u00e9es qui poussent \u00e0 la r\u00e9flexion avec pour objectif d’attirer la presse, \u00e0 l’image de celles men\u00e9es des ann\u00e9es plus tard par les Femen ou les colleuses. Elles pr\u00f4nent souvent la non-mixit\u00e9 choisie et arpentent les rues de la cit\u00e9. A La Louvi\u00e8re, les Marie Mineur, collectif cr\u00e9\u00e9 par des ouvri\u00e8res wallonnes, luttent pour le droit \u00e0 l’avortement, aux cr\u00e8ches, \u00e0 la contraception.<\/p>\n

\"\"<\/p>\n

Les r\u00f4les de genre sont questionn\u00e9s, et d\u00e9j\u00e0, on voit apparaitre la notion d’intersectionnalit\u00e9, popularis\u00e9 en 1989 par la juriste afro-am\u00e9ricaine Kimberley Crenshaw. L’in\u00e9galit\u00e9 entre les sexes n’est que l’une des formes des in\u00e9galit\u00e9s sociales. On croise nombre d’actions dans le film, du coup d’\u00e9clat au rendez-vous fondateur: le sabotage de la finale de Miss Belgique, la r\u00e9volte des h\u00f4tesses de la Sabena, le Tribunal International des crimes contre les femmes qui f\u00eate cette ann\u00e9e son cinquanti\u00e8me anniversaire.<\/p>\n

Les mots ont toute leur importance aussi, \u00e0 travers les t\u00e9moignages de ces pionni\u00e8res bien s\u00fbr (Jacqueline Aubenas, Christiane Rigomont, Jacqui Goegebeur ou Jeanne Vercheval, mais aussi Chantal Ackerman), mais aussi ceux publi\u00e9s dans Le Petit Livre Rouge des Femmes, livre collectif publi\u00e9 en 1972, ou encore dans Les Cahiers du Grif, l’une des toutes premi\u00e8res revues f\u00e9ministes \u00e9dit\u00e9e en 1973. Ces mots sont port\u00e9s par la voix de com\u00e9diennes d’aujourd’hui, en fran\u00e7ais comme en flamand, Lynn Van Royen, Olivia Harkay, Marie Avril, Lucie Debay, Purdey Lombet, Circe Lethem, Rapha\u00eblle Bruneau, Sophie Breyer, ou Monia Douieb.<\/p>\n

L’avant-premi\u00e8re du film aura lieu ce jeudi 5 mars au Palace \u00e0 Bruxelles. Il sera projet\u00e9 ensuite un peu partout en Belgique.<\/p>\n","protected":false},"excerpt":{"rendered":"

Avec Bandes d’Hyst\u00e9riques, Kita Bauchet revient sur une d\u00e9cennie de luttes f\u00e9ministes en Belgique, \u00e0 travers un documentaire m\u00ealant des images d’archives d’une grande richesse, des t\u00e9moignages forts et vibrants de pionni\u00e8res de ces combats, et une place singuli\u00e8re faite aux mots de la lutte, interpr\u00e9t\u00e9s par des com\u00e9diennes qui donnent corps et \u00e2me au …<\/p>\n","protected":false},"author":343,"featured_media":270423,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[7134,10,53,12],"tags":[],"class_list":["post-270421","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-we-love-belgian-cinema","category-a-l-affiche","category-coming-soon","category-awards"],"yoast_head":"\n"Bandes d'hyst\u00e9riques", ou la grande histoire du f\u00e9minisme en Belgique - We Love Cinema<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/welovecinema.be\/fr\/bandes-dhysteriques-ou-la-grande-histoire-du-feminisme-en-belgique\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Bandes d'hyst\u00e9riques", ou la grande histoire du f\u00e9minisme en Belgique - 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