{"id":264384,"date":"2025-04-14T11:07:30","date_gmt":"2025-04-14T09:07:30","guid":{"rendered":"https:\/\/welovecinema.be\/?p=264384"},"modified":"2025-04-15T11:36:56","modified_gmt":"2025-04-15T09:36:56","slug":"deux-films-belges-a-la-64e-semaine-de-la-critique-de-cannes","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/deux-films-belges-a-la-64e-semaine-de-la-critique-de-cannes\/","title":{"rendered":"Deux films belges \u00e0 la 64e Semaine de la Critique de Cannes!"},"content":{"rendered":"<p><strong>La 64e \u00e9dition de la Semaine de la Critique de Cannes sera s\u00e9rieusement belge, avec au programme <em>Kika<\/em>, premier long m\u00e9trage de fiction d&rsquo;Alexe Poukine, et en ouverture, <em>L&rsquo;int\u00e9r\u00eat d&rsquo;Adam<\/em> de Laura Wandel!<\/strong><\/p>\n<p>Section parall\u00e8le incontournable du Festival de Cannes, la Semaine de la Critique fait r\u00e9guli\u00e8rement la part belle au cin\u00e9ma belge, on se souvient r\u00e9cemment des s\u00e9lections de <em>Dalva, Le Syndrome des amours pass\u00e9es, Julie zwijgt<\/em> ou <em>Il pleut dans la maison.\u00a0<\/em><\/p>\n<p>La 64e \u00e9dition de la Semaine ouvrira en beaut\u00e9 avec la projection du nouveau film de Laura Wandel, <em>L&rsquo;Int\u00e9r\u00eat d&rsquo;Adam<\/em>. C&rsquo;est une belle histoire qui unit la cin\u00e9aste belge et le Festival de Cannes, o\u00f9 elle pr\u00e9senta en 2014 en Comp\u00e9tition son court m\u00e9trage <em>Les Corps \u00e9trangers<\/em>, puis en 2021 son premier long m\u00e9trage, <em>Un monde<\/em>, en S\u00e9lection officielle dans la section Un certain regard, et o\u00f9 elle prit part en 2022 au jury de la Cinefondation.<\/p>\n<p>L&rsquo;histoire de <em>L&rsquo;Int\u00e9r\u00eat d&rsquo;Adam<\/em>? Suite \u00e0 une d\u00e9cision de justice, Adam, 4 ans, souffrant de malnutrition a \u00e9t\u00e9 plac\u00e9 \u00e0 l\u2019h\u00f4pital. Lucy, infirmi\u00e8re en cheffe p\u00e9diatrique, autorise Rebecca, la maman d\u2019Adam, \u00e0 rester pr\u00e8s de son fils malgr\u00e9 un temps de visite strictement limit\u00e9 par la juge. Lorsque Rebecca s\u2019ent\u00eate et refuse de quitter Adam, les choses se compliquent. Dans l\u2019int\u00e9r\u00eat de l\u2019enfant, Lucy fera tout pour venir en aide \u00e0 cette m\u00e8re en d\u00e9tresse. Les deux femmes sont incarn\u00e9es par L\u00e9a Drucker (inoubliable dans <em>Jusqu&rsquo;\u00e0 la garde, L&rsquo;Et\u00e9 dernier, Close<\/em>, et bient\u00f4t irr\u00e9sistible dans <em>Le M\u00e9lange des genres<\/em> de Michel Leclerc) et Anamaria Vartolomei (la r\u00e9v\u00e9lation de <em>L&rsquo;Ev\u00e8nement<\/em> d&rsquo;Audrey Diwan, Lion d&rsquo;or \u00e0 Venise, vue dans <em>L&rsquo;Empire<\/em> de Bruno Dumont, <em>Maria<\/em> de Jessica Palud, <em>Le Comte de Monte Cristo<\/em>, bient\u00f4t \u00e0 l&rsquo;affiche de <em>Traffic<\/em> de Teodora Ana Mihai).<\/p>\n<figure id=\"attachment_264389\" aria-describedby=\"caption-attachment-264389\" style=\"width: 618px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-264389 size-large\" src=\"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2025\/04\/L-interet-d-adam\u00a9-Maxence-Dedry-800x450.jpg\" alt=\"\" width=\"618\" height=\"348\" srcset=\"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2025\/04\/L-interet-d-adam\u00a9-Maxence-Dedry-800x450.jpg 800w, https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2025\/04\/L-interet-d-adam\u00a9-Maxence-Dedry-480x270.jpg 480w, https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2025\/04\/L-interet-d-adam\u00a9-Maxence-Dedry-200x113.jpg 200w, https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2025\/04\/L-interet-d-adam\u00a9-Maxence-Dedry-768x432.jpg 768w, https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2025\/04\/L-interet-d-adam\u00a9-Maxence-Dedry-1536x864.jpg 1536w, https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2025\/04\/L-interet-d-adam\u00a9-Maxence-Dedry-2048x1152.jpg 2048w, https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2025\/04\/L-interet-d-adam\u00a9-Maxence-Dedry-599x337.jpg 599w\" sizes=\"auto, (max-width: 618px) 100vw, 618px\" \/><figcaption id=\"caption-attachment-264389\" class=\"wp-caption-text\">@Maxence Dedry<\/figcaption><\/figure>\n<p>Alexe Poukine quant \u00e0 elle s&rsquo;est largement fait connaitre par son travail documentaire aussi pertinent que limpide, qui emprunte \u00e0 la fiction pour donner \u00e0 voir comprendre et ressentir le r\u00e9el, que ce soit dans <em>Sans frapper<\/em> ou <em>Sauve qui peut<\/em>. Une approche d\u00e9j\u00e0 test\u00e9e sur un format fiction dans le court m\u00e9trage <em>Palma<\/em>, Prix sp\u00e9cial du Jury et Prix d&rsquo;interpr\u00e9tation au prestigieux Festival de Clermont-Ferrand, entre autres. Son premier long m\u00e9trage de fiction, <em>Kika<\/em>, est port\u00e9 par la com\u00e9dienne fran\u00e7aise Manon Clavel, que l&rsquo;on a pu voir dans <em>La V\u00e9rit\u00e9<\/em> de Hirokazu Kore Eda d\u00e9couvert \u00e0 Venise, ou <em>Petit fr\u00e8re<\/em> de Leonor Serraille, s\u00e9lectionn\u00e9 en Comp\u00e9tition \u00e0 Cannes, et que l&rsquo;on apercevra bient\u00f4t dans <em>Le R\u00e9pondeur<\/em> de Fabienne Godet. L&rsquo;histoire? Alors qu\u2019elle est enceinte, Kika fait face \u00e0 la mort soudaine de son compagnon. Compl\u00e8tement fauch\u00e9e et le coeur en bouillie, elle hi\u00e9rarchise ses priorit\u00e9s : 1. \u2060\u2060trouver de l\u2019argent rapidement 2.\u2060 \u2060\u2060sortir de la merde Culottes sales, godes-ceintures et parents n\u00e9vros\u00e9s vont l&rsquo;aider. Contre toute attente.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-264385\" src=\"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2025\/04\/KIKA_Alexe-Poukine_1KEY_c-Wrong-Men-Kidam-800x557.jpg\" alt=\"\" width=\"618\" height=\"430\" srcset=\"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2025\/04\/KIKA_Alexe-Poukine_1KEY_c-Wrong-Men-Kidam-800x557.jpg 800w, https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2025\/04\/KIKA_Alexe-Poukine_1KEY_c-Wrong-Men-Kidam-388x270.jpg 388w, https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2025\/04\/KIKA_Alexe-Poukine_1KEY_c-Wrong-Men-Kidam-768x535.jpg 768w, https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2025\/04\/KIKA_Alexe-Poukine_1KEY_c-Wrong-Men-Kidam-1536x1069.jpg 1536w, https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2025\/04\/KIKA_Alexe-Poukine_1KEY_c-Wrong-Men-Kidam-2048x1425.jpg 2048w\" sizes=\"auto, (max-width: 618px) 100vw, 618px\" \/><\/p>\n<p>On retiendra \u00e9galement la s\u00e9lection du film Imago du cin\u00e9aste tch\u00e9tch\u00e8ne D\u00e9ni Oumar Pitsaev, coproduit en Belgique par Need Prod, ainsi que du film fran\u00e7ais Nino de Pauline Loqu\u00e8s, \u00e0 l&rsquo;affiche duquel on retrouve la jeune com\u00e9dienne belge Salom\u00e9 Dewaels.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La 64e \u00e9dition de la Semaine de la Critique de Cannes sera s\u00e9rieusement belge, avec au programme Kika, premier long m\u00e9trage de fiction d&rsquo;Alexe Poukine, et en ouverture, L&rsquo;int\u00e9r\u00eat d&rsquo;Adam de Laura Wandel! Section parall\u00e8le incontournable du Festival de Cannes, la Semaine de la Critique fait r\u00e9guli\u00e8rement la part belle au cin\u00e9ma belge, on se &hellip;<\/p>\n","protected":false},"author":343,"featured_media":264387,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[7134,53,1923,12],"tags":[],"class_list":["post-264384","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-we-love-belgian-cinema","category-coming-soon","category-en-bref","category-awards"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Deux films belges \u00e0 la 64e Semaine de la Critique de Cannes! - We Love Cinema<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/welovecinema.be\/fr\/deux-films-belges-a-la-64e-semaine-de-la-critique-de-cannes\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Deux films belges \u00e0 la 64e Semaine de la Critique de Cannes! - We Love Cinema\" \/>\n<meta property=\"og:description\" content=\"La 64e \u00e9dition de la Semaine de la Critique de Cannes sera s\u00e9rieusement belge, avec au programme Kika, premier long m\u00e9trage de fiction d&rsquo;Alexe Poukine, et en ouverture, L&rsquo;int\u00e9r\u00eat d&rsquo;Adam de Laura Wandel! Section parall\u00e8le incontournable du Festival de Cannes, la Semaine de la Critique fait r\u00e9guli\u00e8rement la part belle au cin\u00e9ma belge, on se &hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/welovecinema.be\/fr\/deux-films-belges-a-la-64e-semaine-de-la-critique-de-cannes\/\" \/>\n<meta property=\"og:site_name\" content=\"We Love Cinema\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/welovecinema.be\" \/>\n<meta property=\"article:published_time\" content=\"2025-04-14T09:07:30+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-04-15T09:36:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2025\/04\/Semaine64.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Aurore Engelen\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Aurore Engelen\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/welovecinema.be\/fr\/deux-films-belges-a-la-64e-semaine-de-la-critique-de-cannes\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/welovecinema.be\/fr\/deux-films-belges-a-la-64e-semaine-de-la-critique-de-cannes\/\"},\"author\":{\"name\":\"Aurore Engelen\",\"@id\":\"https:\/\/welovecinema.be\/nl\/#\/schema\/person\/8084b68c6b176142d073695c654dc7cf\"},\"headline\":\"Deux films belges \u00e0 la 64e Semaine de la Critique de Cannes!\",\"datePublished\":\"2025-04-14T09:07:30+00:00\",\"dateModified\":\"2025-04-15T09:36:56+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/welovecinema.be\/fr\/deux-films-belges-a-la-64e-semaine-de-la-critique-de-cannes\/\"},\"wordCount\":597,\"publisher\":{\"@id\":\"https:\/\/welovecinema.be\/nl\/#organization\"},\"articleSection\":[\"\u00a0We Love Belgian Cinema\",\"Coming soon\",\"En bref\",\"Evenements\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/welovecinema.be\/fr\/deux-films-belges-a-la-64e-semaine-de-la-critique-de-cannes\/\",\"url\":\"https:\/\/welovecinema.be\/fr\/deux-films-belges-a-la-64e-semaine-de-la-critique-de-cannes\/\",\"name\":\"Deux films belges \u00e0 la 64e Semaine de la Critique de Cannes! 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