{"id":262856,"date":"2025-01-16T16:29:04","date_gmt":"2025-01-16T15:29:04","guid":{"rendered":"https:\/\/welovecinema.be\/?p=262856"},"modified":"2025-01-16T16:29:04","modified_gmt":"2025-01-16T15:29:04","slug":"maldoror-voyage-en-enfer","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/maldoror-voyage-en-enfer\/","title":{"rendered":"\u00ab\u00a0Maldoror\u00a0\u00bb, voyage en enfer"},"content":{"rendered":"

Avec Maldoror<\/i>, Fabrice Du Welz signe une fresque d\u2019une grande ampleur sur la Belgique des ann\u00e9es 90, ses dysfonctionnements et ses traumas collectifs, mais aussi sur la tentaculaire perversit\u00e9 du mal<\/b><\/p>\n

On connait le cin\u00e9ma de Fabrice Du Welz, un cin\u00e9ma radical, hant\u00e9 par le Mal, dans son horreur, sa folie, mais aussi parfois sa dimension grotesque. De Calvaire<\/em> \u00e0 Inexorable<\/em> en passant par Vinyan, Alleluia<\/i> ou Adoration<\/i>), c’est un cin\u00e9ma de bruit et de fureur, tr\u00e8s stylis\u00e9, volontiers sanguinaire. Avec Maldoror, il s’\u00e9chappe vers de nouveaux territoires de cin\u00e9ma, et livre son film policier, doubl\u00e9 d\u2019une fresque naturaliste qui nous plonge au coeur de la communaut\u00e9 sicilienne de Charleroi, au mitan des ann\u00e9es 90. Un film surement plus populaire que les pr\u00e9c\u00e9dents par sa forme comme par son fond, puisque le cin\u00e9aste s’attaque \u00e0 un sujet toujours br\u00fblant dans l’imaginaire collectif belge: l’affaire Dutroux.<\/p>\n

\"\"<\/p>\n

L’histoire, c’est celle de Paul Chartier, interpr\u00e9t\u00e9 par Anthony Bajon (voir notre interview<\/a>), jeune gendarme id\u00e9aliste qui se retrouve happ\u00e9 par un drame qui le d\u00e9passe. D\u2019origine plus que modeste, son p\u00e8re est taulard, sa m\u00e8re prostitu\u00e9e, le jeune homme cherche son salut dans l\u2019ordre et la justice. Ayant coup\u00e9 les ponts avec son milieu, il navigue entre ses aspirations professionnelles au sein de la gendarmerie, et la large famille sicilienne de sa fianc\u00e9e, Gina (Alba Ga\u00efa Bellugi, d\u00e9j\u00e0 \u00e0 l’affiche de Inexorable<\/em>). Quand il a l\u2019opportunit\u00e9 de rejoindre une op\u00e9ration secr\u00e8te visant \u00e0 surveiller Marcel Dedieu, un p\u00e9dophile notoire, nom de code Maldoror, il s\u2019investit corps et \u00e2me dans la mission. Petit \u00e0 petit, l\u2019intensit\u00e9 de l\u2019enqu\u00eate d\u00e9borde sur sa vie personnelle, celle-ci va comme parasiter son intimit\u00e9, v\u00e9ritable interf\u00e9rence dans sa vie de famille.<\/p>\n

Alors qu\u2019en coulisses, la guerre intestine qui oppose la gendarmerie, la police judiciaire et la police communale grippe l\u2019enqu\u00eate au point de la fragiliser dramatiquement, Chartier s\u2019implique de plus en plus, jusqu\u2019\u00e0 entendre des voix, un jour, dans la cave de Dedieu lors d\u2019une perquisition. A moins que ce ne soient de vraies voix\u2026<\/p>\n

Toute la premi\u00e8re partie, relatant la \u00ab\u00a0jeunesse\u00a0\u00bb de Chartier, livre un portrait ultra-r\u00e9aliste de la communaut\u00e9 qu\u2019il s\u2019est choisie, servi par le casting de \u00ab\u00a0vrais\u00a0\u00bb Siciliens de Charleroi, qui nourrissent de leur authenticit\u00e9 la d\u00e9marche naturaliste du cin\u00e9aste, qui raconte aussi un territoire d\u00e9sindustrialis\u00e9 et abandonn\u00e9 du politique.<\/p>\n

\"\"<\/p>\n

D\u2019abord cantonn\u00e9 \u00e0 la p\u00e9riph\u00e9rie, Dedieu \u00e9merge peu \u00e0 peu, \u00e9toile noire d\u2019une galaxie du mal compos\u00e9e de pauvres types comme de puissants. C\u2019\u00e9tait une gageure de fictionnaliser Dutroux, figure absolue du mal. Contournant l\u2019obstacle, Maldoror<\/i> fait le choix de le r\u00e9inventer, aid\u00e9 par la partition de Sergi Lopez (voir notre interview<\/a>), qui comme toujours excelle quand il s\u2019agit de jouer les m\u00e9chants. Le mal contamine peu \u00e0 peu le r\u00e9cit comme la psych\u00e9 d\u2019un Chartier rong\u00e9 par la culpabilit\u00e9, jusqu\u2019\u00e0 d\u00e9boucher sur une confrontation finale dans le dernier tiers du film qui transcende le r\u00e9alisme du d\u00e9but pour s\u2019appuyer sur le pouvoir cathartique de la fiction, comme une possibilit\u00e9 collective de r\u00e9parer l\u2019histoire.<\/p>\n

Un film incandescent, sur l’histoire traumatique de la Belgique.<\/p>\n","protected":false},"excerpt":{"rendered":"

Avec Maldoror, Fabrice Du Welz signe une fresque d\u2019une grande ampleur sur la Belgique des ann\u00e9es 90, ses dysfonctionnements et ses traumas collectifs, mais aussi sur la tentaculaire perversit\u00e9 du mal On connait le cin\u00e9ma de Fabrice Du Welz, un cin\u00e9ma radical, hant\u00e9 par le Mal, dans son horreur, sa folie, mais aussi parfois sa …<\/p>\n","protected":false},"author":343,"featured_media":260325,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[7134,10,53,12],"tags":[],"class_list":["post-262856","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-we-love-belgian-cinema","category-a-l-affiche","category-coming-soon","category-awards"],"yoast_head":"\n"Maldoror", voyage en enfer - We Love Cinema<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/welovecinema.be\/fr\/maldoror-voyage-en-enfer\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Maldoror", voyage en enfer - 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