{"id":261934,"date":"2024-11-12T12:16:05","date_gmt":"2024-11-12T11:16:05","guid":{"rendered":"https:\/\/welovecinema.be\/?p=261934"},"modified":"2024-11-13T10:57:15","modified_gmt":"2024-11-13T09:57:15","slug":"mea-culpa-lettre-a-ma-mere","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/mea-culpa-lettre-a-ma-mere\/","title":{"rendered":"\u00ab\u00a0Mea Culpa\u00a0\u00bb, lettre \u00e0 ma m\u00e8re"},"content":{"rendered":"

Ce 13 novembre sort Mea Culpa<\/em>, documentaire de Patrick Tass qui entre en pleine r\u00e9sonance avec l’actualit\u00e9 et les tensions qui d\u00e9chirent aujourd’hui le Liban et la Palestine.<\/strong><\/p>\n

Ca commence par une sonnerie, un message d\u00e9pos\u00e9 sur un t\u00e9l\u00e9phone. Patrick re\u00e7oit un vocal de sa m\u00e8re Randa. Elle s’y d\u00e9sole de la distance qui les s\u00e9pare, de son silence, de la vie qui passe et du temps qui s’\u00e9coule. Patrick vit \u00e0 Bruxelles, Randa vit au Liban. Il est le fils, elle est la m\u00e8re, et \u00e0 d\u00e9faut de partager leur quotidien, ils partagent mensonges et culpabilit\u00e9.<\/p>\n

Patrick vit sa vie d’homme amoureux \u00e0 Bruxelles, et au fil des mois, on le voit sortir, s’amuser, et s’installer avec son compagnon. Mais pour sa m\u00e8re, ce compagnon est un colocataire, \u00ab\u00a0l’autre mec\u00a0\u00bb qui vit avec lui. Alors qu’elle s’inqui\u00e8te de le savoir seul en pleine \u00e9pid\u00e9mie de Covid, enferm\u00e9 chez lui par la quarantaine, il garde le silence sur leur relation. Ce mensonge r\u00e9pond \u00e0 un autre mensonge, fondateur. Enfant, Patrick a toujours pens\u00e9 qu’il \u00e9tait Libanais. C’est par hasard qu’il d\u00e9couvre un jour sur ses papiers d’identit\u00e9 qu’il est palestinien, et m\u00eame, r\u00e9fugi\u00e9. Il peine \u00e0 se r\u00e9concilier avec ce statut d’apatride qu’on lui a cach\u00e9.<\/p>\n

\"\"<\/p>\n

Ces mensonges fondamentaux qui emp\u00eachent de savoir qui l’on est font que Patrick a la sensation de s’\u00eatre toujours construit dans la n\u00e9gation, l’opposition, en d\u00e9finissant ce qu’il n’\u00e9tait pas avant de pouvoir dire qui il \u00e9tait. Et paradoxalement, c’est la volont\u00e9 de sa m\u00e8re de le voir s’\u00e9lever socialement, les \u00e9tudes qu’elle lui a offertes et les livres qu’elle lui a donn\u00e9s qui ont fini par l’\u00e9loigner d’elle.<\/p>\n

Film patchwork, Mea Culpa<\/em> est fait des bribes de leurs conversations, \u00e0 distance le plus souvent, IRL exceptionnellement, quand Patrick retourne au Liban. Quelques images vol\u00e9es \u00e0 leur quotidien sont projet\u00e9es de temps \u00e0 autre, comme pour faire la jonction entre les diff\u00e9rentes pi\u00e8ces du puzzle, ces messages et discussions qui en disent beaucoup sans jamais dire l’essentiel, peut-\u00eatre. L’histoire singuli\u00e8re de Patrick et Randa (ainsi que de son p\u00e8re et sa soeur) s’inscrit dans une r\u00e9flexion plus large sur l’exil, le d\u00e9classement et les transfuges de classe, le patriarcat, le racisme et les rapports de domination, et surtout, alors que les mois passent, dans le pr\u00e9sent qui semble se r\u00e9p\u00e9ter d’un pays et d’un peuple martyris\u00e9s. Un film urgent donc, o\u00f9 l’intime, plus que jamais, est politique.<\/p>\n

Le film sera montr\u00e9 en avant-premi\u00e8re ce mercredi 13 novembre au cin\u00e9ma Galeries dans le cadre de la soir\u00e9e No pride in Genocide, en collaboration avec United Screens for Palestine et Pink Screens.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ce 13 novembre sort Mea Culpa, documentaire de Patrick Tass qui entre en pleine r\u00e9sonance avec l’actualit\u00e9 et les tensions qui d\u00e9chirent aujourd’hui le Liban et la Palestine. Ca commence par une sonnerie, un message d\u00e9pos\u00e9 sur un t\u00e9l\u00e9phone. Patrick re\u00e7oit un vocal de sa m\u00e8re Randa. Elle s’y d\u00e9sole de la distance qui les …<\/p>\n","protected":false},"author":343,"featured_media":261936,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[7134,10,1923,12],"tags":[],"class_list":["post-261934","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-we-love-belgian-cinema","category-a-l-affiche","category-en-bref","category-awards"],"yoast_head":"\n"Mea Culpa", lettre \u00e0 ma m\u00e8re - We Love Cinema<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/welovecinema.be\/fr\/mea-culpa-lettre-a-ma-mere\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Mea Culpa", lettre \u00e0 ma m\u00e8re - We Love Cinema\" \/>\n<meta property=\"og:description\" content=\"Ce 13 novembre sort Mea Culpa, documentaire de Patrick Tass qui entre en pleine r\u00e9sonance avec l’actualit\u00e9 et les tensions qui d\u00e9chirent aujourd’hui le Liban et la Palestine. 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