{"id":260321,"date":"2024-09-04T09:00:59","date_gmt":"2024-09-04T07:00:59","guid":{"rendered":"https:\/\/welovecinema.be\/?p=260321"},"modified":"2024-09-06T09:09:16","modified_gmt":"2024-09-06T07:09:16","slug":"aux-origines-de-maldoror-par-fabrice-du-welz","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/aux-origines-de-maldoror-par-fabrice-du-welz\/","title":{"rendered":"Aux origines de Maldoror par Fabrice Du Welz"},"content":{"rendered":"

Fabrice Du Welz est de retour avec Maldoror<\/i>, pr\u00e9sent\u00e9 hier soir en premi\u00e8re mondiale \u00e0 Venise. Il change de registre avec cette fresque naturaliste peu \u00e0 peu contamin\u00e9e par un thriller bien noir qui s\u2019empare avec force d\u2019un pan douloureux de l\u2019histoire contemporaine de la Belgique.<\/strong><\/p>\n

Librement inspir\u00e9e de l’affaire Dutroux, le film offre un regard neuf qui insuffle de la fiction dans la grande Histoire, tout en \u00e9tant nourri d’une recherche profonde et pr\u00e9cise sur le sujet. Avant la pr\u00e9sentation et la sortie belges du film, on a voulu revenir avec son auteur sur les origines de ce projet personnel qui invoque un trauma collectif.<\/p>\n

\u00ab\u00a0Cela fait longtemps que j\u2019essaie de faire ce film. Au d\u00e9but, quand je disais que je voulais faire un film sur l\u2019affaire Dutroux, je ressentais une tr\u00e8s forte hostilit\u00e9, comme si c\u2019\u00e9tait un sujet sacr\u00e9, auquel on ne pouvait pas toucher. J\u2019ai eu deux chocs pendant cette longue r\u00e9flexion. D\u2019abord un choc esth\u00e9tique avec <\/em>Once Upon a Time in Hollywood. Pour moi, c\u2019est le chef d\u2019oeuvre de Tarantino, ce film m\u2019a fait comprendre qu\u2019avec la foi et les outils du cin\u00e9ma, on pouvait tout faire. Il s\u2019empare de faits r\u00e9els, d\u2019une histoire terrible<\/em>(ndlr: l’assassinat de Sharon Tate et trois de ses amis par Charles Manson et des membres de sa secte), qui marque un vrai changement de paradigme dans l\u2019histoire am\u00e9ricaine, pour proposer un film de r\u00e9conciliation.\u00a0<\/em><\/p>\n

Et puis j\u2019\u00e9tais obs\u00e9d\u00e9 par une s\u00e9quence r\u00e9elle de l\u2019affaire Dutroux, racont\u00e9e \u00e0 l\u2019\u00e9poque, o\u00f9 un gendarme descend dans la cave, et entend des voix d\u2019enfants, mais personne ne l\u2019\u00e9coute, un an avant qu\u2019il ne soit arr\u00eat\u00e9. Depuis des ann\u00e9es, je me demande comment un homme peut faire face quand on lui annonce qu\u2019il a failli sauver ces enfants? Quel dilemme moral \u00e9crasant, comment peut-on vivre, survivre avec la culpabilit\u00e9?\u00a0<\/em><\/p>\n

L\u00e0, j\u2019avais mon point de vue, celui d\u2019un jeune gendarme inspir\u00e9 qui veut absolument faire le bien, mais confront\u00e9 au mal, il devra s\u2019interroger sur sa part de responsabilit\u00e9. Cette intersection morale m\u2019int\u00e9ressait particuli\u00e8rement.<\/em><\/p>\n

\"\"<\/p>\n

Quand on s’attaque \u00e0 un sujet pareil, il faut que le contexte soit imparable, pr\u00e9cis, juste. On s\u2019<\/span>est beaucoup document\u00e9 avec mon co-sc\u00e9nariste. Cette approche ultra-r\u00e9aliste \u00e9tait pour moi un \u00e9l\u00e9ment cl\u00e9. Moi j\u2019<\/span>ai grandi \u00e0 Bruxelles, j\u2019<\/span>ai \u00e9t\u00e9 touch\u00e9 par l\u2019<\/span>affaire Dutroux, mais pas comme les gens l\u2019<\/span>ont \u00e9t\u00e9 les gens \u00e0 Charleroi. Je me suis beaucoup investi l\u00e0-bas en faisant les rep\u00e9rages, et j\u2019<\/span>ai pu constater que les gens \u00e9taient encore \u00e9cras\u00e9s par cette affaire, il y a une esp\u00e8ce d\u2019<\/span>opprobre, c\u2019<\/span>est comme un fant\u00f4me qui plane encore. L\u2019id\u00e9e \u00e9tait aussi d\u2019<\/span>offrir une dimension profond\u00e9ment populaire au film. Pour que le film soit le plus large possible, parce que je pense que le sujet est important, et me d\u00e9passe.\u00a0On s\u2019<\/span>est beaucoup interrog\u00e9 avec mon sc\u00e9nariste pour faire le film qui nous apparaissait le plus juste possible. Notamment dans son dernier tiers, une sorte d\u2019<\/span>uchronie o\u00f9 on r\u00e9invente ce qui nous a \u00e9t\u00e9 vol\u00e9, le sentiment de justice.\u00a0\u00bb<\/em><\/p>\n

Mais n’en disons pas plus \u00e0 ce stade. Rendez-vous dans quelques semaines\/ mois pour revenir sur ce film d’une grande ambition cin\u00e9matographique et historique.<\/p>\n","protected":false},"excerpt":{"rendered":"

Fabrice Du Welz est de retour avec Maldoror, pr\u00e9sent\u00e9 hier soir en premi\u00e8re mondiale \u00e0 Venise. Il change de registre avec cette fresque naturaliste peu \u00e0 peu contamin\u00e9e par un thriller bien noir qui s\u2019empare avec force d\u2019un pan douloureux de l\u2019histoire contemporaine de la Belgique. Librement inspir\u00e9e de l’affaire Dutroux, le film offre un …<\/p>\n","protected":false},"author":343,"featured_media":260323,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[7134,53,12,1978],"tags":[],"class_list":["post-260321","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-we-love-belgian-cinema","category-coming-soon","category-awards","category-interviews"],"yoast_head":"\nAux origines de Maldoror par Fabrice Du Welz - We Love Cinema<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/welovecinema.be\/fr\/aux-origines-de-maldoror-par-fabrice-du-welz\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aux origines de Maldoror par Fabrice Du Welz - We Love Cinema\" \/>\n<meta property=\"og:description\" content=\"Fabrice Du Welz est de retour avec Maldoror, pr\u00e9sent\u00e9 hier soir en premi\u00e8re mondiale \u00e0 Venise. Il change de registre avec cette fresque naturaliste peu \u00e0 peu contamin\u00e9e par un thriller bien noir qui s\u2019empare avec force d\u2019un pan douloureux de l\u2019histoire contemporaine de la Belgique. 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