{"id":258607,"date":"2024-04-16T10:09:43","date_gmt":"2024-04-16T08:09:43","guid":{"rendered":"https:\/\/welovecinema.be\/?p=258607"},"modified":"2024-04-22T14:35:07","modified_gmt":"2024-04-22T12:35:07","slug":"cannes-2024-les-talents-belges","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/cannes-2024-les-talents-belges\/","title":{"rendered":"Cannes 2024: les talents belges"},"content":{"rendered":"

La 77e \u00e9dition du Festival de Cannes s’annonce riche en d\u00e9couvertes comme en retrouvailles cin\u00e9matographiques, avec au programme des premiers films comme des cin\u00e9astes cultes qui signent leur grand retour (on pense bien s\u00fbr \u00e0 Coppola).\u00a0<\/strong><\/p>\n

Apr\u00e8s de belles ann\u00e9es o\u00f9 les s\u00e9lections pleuvaient (l’ann\u00e9e derni\u00e8re, pas moins de 5 longs m\u00e9trages belges francophones \u00e9taient retenus, l’ann\u00e9e d’avant, 3 films belges \u00e9taient en Comp\u00e9tition officielle!), la pr\u00e9sence belge francophone cette ann\u00e9e se joue au niveau des coproductions, et des divers talents que l’on peut retrouver au g\u00e9n\u00e9rique des films internationaux qui seront pr\u00e9sent\u00e9s. Et on retient bien s\u00fbr la s\u00e9lection en Comp\u00e9tition \u00e0 la Semaine de la Critique de Julie Zwijgt<\/em><\/strong>, premier long m\u00e9trage du jeune cin\u00e9aste flamand Leonardo Van Dijl<\/strong>, qui avait d\u00e9j\u00e0 pr\u00e9sent\u00e9 un court m\u00e9trage \u00e0 Cannes. Ce film, au casting duquel on retrouve Koen De Bouw, Ruth Becquart, Pierre Gervais, Sofie Decleir, Tijmen Govaerts, Claire Bodson et Laurent Caron, est produit par Delphine Tomson pour Les Films du Fleuve<\/strong>, la soci\u00e9t\u00e9 cr\u00e9\u00e9e par les fr\u00e8res Dardenne. L’histoire? Julie, une star montante du tennis \u00e9voluant dans un club prestigieux, consacre toute sa vie \u00e0 son sport. Lorsque l’entra\u00eeneur qui pourrait la propulser vers les sommets est suspendu soudainement et qu’une enqu\u00eate est ouverte, tous les joueurs du club sont encourag\u00e9s \u00e0 partager leur histoire. Cependant, Julie d\u00e9cide de garder le silence…<\/p>\n

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\u00ab\u00a0Julie Zwijgt\u00a0\u00bb<\/figcaption><\/figure>\n

La Semaine de la Critique d’ailleurs compte pas moins de 4 autres coproductions belges. Elle ouvrira avec Les Fant\u00f4mes<\/strong> de Jonathan Millet, dont l’image est sign\u00e9e par le chef op\u00e9rateur belge Olivier Boonjing, et qui est coproduit par H\u00e9licotronc<\/strong> (qui faisait d\u00e9j\u00e0 l’ouverture de la section l’ann\u00e9e derni\u00e8re avec Le Syndrome des amours pass\u00e9es). La cl\u00f4ture de la Semaine sera l’occasion de d\u00e9couvrir Animale<\/strong><\/em> d’Emma Benestan, dont l’image est sign\u00e9e Ruben Impens<\/strong>, et les d\u00e9cors Eve Martin<\/strong>, coproduit par Frakas<\/strong>. En s\u00e9ances sp\u00e9ciales, deux autres coproductions belges: Les Reines du Drame<\/strong><\/em> d’Alexis Langlois, coproduit par Wrong Men<\/strong>, avec Drag Couenne<\/strong>, et La mer au loin<\/strong><\/em> de Sa\u00efd Hamich Benlarbi coproduit par Tarantula<\/strong>.<\/p>\n

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\u00ab\u00a0Animale\u00a0\u00bb<\/figcaption><\/figure>\n

En S\u00e9lection officielle, on retrouve en Comp\u00e9tition le deuxi\u00e8me long m\u00e9trage de Gilles Lellouche, L’Amour Ouf<\/em><\/strong>, avec un casting pl\u00e9thorique emmen\u00e9 par Ad\u00e8le Exarchopoulos, qui compte \u00e9galement Beno\u00eet Poelvoorde<\/strong> (d\u00e9j\u00e0 \u00e0 l’affiche du Grand Bian). Le film est coproduit en Belgique par Artemis<\/strong>. On retrouve \u00e9galement Jacques Audiard, habitu\u00e9 du Festival, avec Emilia Perez<\/strong><\/em>, coproduit l\u00e0 aussi par Les Films du Fleuve<\/strong>.<\/p>\n

Dans la section Un certain regard sera pr\u00e9sent\u00e9 le nouveau film du cin\u00e9aste italien Roberto Minervini, Les Damn\u00e9s<\/em><\/strong>, coproduit par Michigan Films<\/strong> – qui pr\u00e9sentait l’ann\u00e9e derni\u00e8re Il pleut dans la maison<\/strong><\/em> \u00e0 la Semaine de la Critique. Le montage du film a \u00e9t\u00e9 r\u00e9alis\u00e9 par l’exp\u00e9riment\u00e9e monteuse belge Marie-H\u00e9l\u00e8ne Dozo<\/strong>, \u00e0 laquelle on doit notamment le montage des films des fr\u00e8res Dardenne. On croisera \u00e9galement dans cette section Fran\u00e7ois Damiens<\/strong>, annonc\u00e9 au g\u00e9n\u00e9rique du premier film de la com\u00e9dienne suisse Laetitia Dosch, Le Proc\u00e8s du Chien<\/em><\/strong>.<\/p>\n

Le festival, ce sont aussi des S\u00e9ances sp\u00e9ciales, o\u00f9 sera programm\u00e9 le nouveau film de Nabil Ayouch, Everybody Loves Touda<\/strong><\/em>, qui parmi ses collaborateur\u00b7ices belges retrouve Virginie Surdej<\/strong> \u00e0 l’image (qui sera d’ailleurs membre du Jury de la Semaine de la Critique), Eve Martin<\/strong> aux d\u00e9cors, et Nicolas Rumpl<\/strong> au montage. Le film est coproduit par Velvet Films<\/strong>. Enfin, le Festival d\u00e9voilera le premier long m\u00e9trage comme r\u00e9alisateur de Daniel Auteuil, Le Fil<\/strong><\/em>, dont l’image est sign\u00e9e par le chef op\u00e9rateur Jean-Fran\u00e7ois Hensgens<\/strong>, que le com\u00e9dien fran\u00e7ais a rencontr\u00e9 sur le plateau d’Un silence<\/em> de Joachim Lafosse.<\/p>\n

De son c\u00f4t\u00e9, la Quinzaine des Cin\u00e9astes rendra hommage \u00e0 Chantal Akerman<\/strong> avec la projection sp\u00e9ciale de son documentaire Histoires d\u2019Am\u00e9rique: Food, Family and Philosophy<\/em><\/strong>.<\/p>\n

Pour terminer, notons que le Jury de la Cam\u00e9ra d’Or sera co-pr\u00e9sid\u00e9 par Baloji<\/strong> et Emmanuelle B\u00e9art. On y retrouvera \u00e9galement Zo\u00e9 Wittock.<\/p>\n

Quelques films pourraient encore \u00eatre ajout\u00e9s au programme, on garde l’oeil ouvert!<\/p>\n

En attendant, on vous donne rendez-vous du 14 au 25 mai prochains sur la Croisette.<\/p>\n","protected":false},"excerpt":{"rendered":"

La 77e \u00e9dition du Festival de Cannes s’annonce riche en d\u00e9couvertes comme en retrouvailles cin\u00e9matographiques, avec au programme des premiers films comme des cin\u00e9astes cultes qui signent leur grand retour (on pense bien s\u00fbr \u00e0 Coppola).\u00a0 Apr\u00e8s de belles ann\u00e9es o\u00f9 les s\u00e9lections pleuvaient (l’ann\u00e9e derni\u00e8re, pas moins de 5 longs m\u00e9trages belges francophones \u00e9taient …<\/p>\n","protected":false},"author":343,"featured_media":258611,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[7134,53,1923,12],"tags":[],"class_list":["post-258607","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-we-love-belgian-cinema","category-coming-soon","category-en-bref","category-awards"],"yoast_head":"\nCannes 2024: les talents belges - We Love Cinema<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/welovecinema.be\/fr\/cannes-2024-les-talents-belges\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cannes 2024: les talents belges - 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