{"id":258565,"date":"2024-04-12T08:40:04","date_gmt":"2024-04-12T06:40:04","guid":{"rendered":"https:\/\/welovecinema.be\/?p=258565"},"modified":"2024-04-16T17:17:53","modified_gmt":"2024-04-16T15:17:53","slug":"golden-eighties-relecture-pop-du-cinema-dakerman","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/golden-eighties-relecture-pop-du-cinema-dakerman\/","title":{"rendered":"\u00ab\u00a0Golden Eighties\u00a0\u00bb: relecture pop du cin\u00e9ma d’Akerman"},"content":{"rendered":"

A l’occasion de la grande exposition et de la r\u00e9trospective Chantal Akerman organis\u00e9es par Bozar et la Cinematek, le cin\u00e9ma Palace ressort Golden Eighties<\/em>, p\u00e9pite pop de la r\u00e9alisatrice, et propose une exposition des photos de plateau sign\u00e9es par Jean Ber.<\/strong><\/p>\n

En 1986 sort Golden Eighties<\/em>, une com\u00e9die musicale sign\u00e9e Chantal Akerman. Ce n’est certes pas une contradiction dans les faits, d’autant que l’on se souvient de la place des chansons d\u00e9j\u00e0 dans Toute une nuit<\/em> ou Les Rendez-vous d’Anna<\/em>, mais c’est une surprise. Surprise d’autant plus grande que le film se d\u00e9roule presque exclusivement dans un centre commercial, celui de la Galerie de la Toison d’Or, entre un magasin de v\u00eatements, un salon de coiffure, un petit bar – et m\u00eame un cin\u00e9ma. On est donc au coeur de la soci\u00e9t\u00e9 de consommation, mais une soci\u00e9t\u00e9 de consommation souterraine, litt\u00e9ralement enterr\u00e9e, puisque la galerie est au sous-sol, il faut descendre une longue vol\u00e9e de marches pour s’y rendre. Les personnages d’ailleurs de font pas secret de la crise qui leur est tomb\u00e9e dessus. Le ch\u00f4mage, les soucis p\u00e9cuniaires, les charges qui augmentent, la difficult\u00e9 de payer son loyer. La crise s’enlise.<\/p>\n

Alors faute de savoir de quoi demain sera fait, ce qui occupe les personnages, c’est la possibilit\u00e9 (l’impossibilit\u00e9?) de l’amour. Ca papillonne sous terre, \u00e7a marivaude, \u00e7a vol\u00e8te de coeur en coeur. Pascale et Mado aiment Richard qui lui n’a d’yeux que pour Lili qui elle entretient sa relation avec Jean, homme mari\u00e9 mais bien mis, quand Sylvie attend patiemment son amant parti gagner sa vie outre-Atlantique, des Am\u00e9riques d’o\u00f9 surgit Eli, qui toute sa vie a aim\u00e9 Jeanne, qui a toujours cru que l’amour n’\u00e9tait pas pour elle. Coups de foudre et coeurs bris\u00e9s, l’amour se propage comme \u00ab\u00a0une fi\u00e8vre tropicale\u00a0\u00bb. Parce que le coeur, il faut qu’il aime. Quand ce n’est pas l’un, c’est l’autre. L’amour n’est jamais perdu. Parce que sans amour, c’est la fin.<\/p>\n

\"\"<\/p>\n

Ces atermoiements amoureux incessants sont orchestr\u00e9s au sein d’une com\u00e9die musicale con\u00e7ue comme un pr\u00e9cipit\u00e9 d’esth\u00e9tique pop, d’une absolue l\u00e9g\u00e8ret\u00e9, radicalement revendiqu\u00e9e. Alors que les protagonistes n’en finissent plus de sentir leurs coeurs battre en tous sens, sans cesse interrompus par les clientes jamais contentes, le choeur des shampouineuses et celui des piliers de bar commentent l’action, entre po\u00e9sie moqueuse et aphorismes d\u00e9finitifs.<\/p>\n

A premi\u00e8re vue inattendu, ou disruptif dans la filmographie de Chantal Akerman, Golden Eighties<\/em> creuse pourtant ses obsessions, aussi bien formelles que th\u00e9matiques. On y retrouve des motifs forts de son cin\u00e9ma, \u00e0 commencer par la r\u00e9p\u00e9tition, ainsi que de grands questionnements qui traversent son oeuvre, l’impossibilit\u00e9 de l’amour, la difficult\u00e9 de faire famille, le retour des camps aussi. Au casting, on retrouve Delphine Seyrig, d\u00e9chirante icone qui porte le poids des rescap\u00e9es, mais aussi Fanny Cotten\u00e7on, Myriam Boyer, ou Lio, idole de la pop qui trouve l\u00e0 son premier r\u00f4le.<\/p>\n

\"\"<\/p>\n

Jean Ber, photographe de plateau, a \u00e9t\u00e9 le t\u00e9moin de cette escapade cin\u00e9matographique. Ses clich\u00e9s sont expos\u00e9s par le Palace. Ils restituent l’esprit du film, la vision de la cin\u00e9aste, cette symphonie pop, rythm\u00e9e de couleurs \u00e9clatantes. Dans une sc\u00e9nographie dynamique qui rappelle les d\u00e9cors joyeux et engageants imagin\u00e9s en studio, la collection permet une pr\u00e9cieuse immersion dans le pr\u00e9sent du film, \u00e0 part dans l’oeuvre d’Akerman tout en y \u00e9tant profond\u00e9ment inscrit.<\/p>\n

L’exposition est visible jusqu’au 23 juin prochain, l’entr\u00e9e est libre. Le film sera programm\u00e9 d\u00e8s mercredi prochain.<\/p>\n","protected":false},"excerpt":{"rendered":"

A l’occasion de la grande exposition et de la r\u00e9trospective Chantal Akerman organis\u00e9es par Bozar et la Cinematek, le cin\u00e9ma Palace ressort Golden Eighties, p\u00e9pite pop de la r\u00e9alisatrice, et propose une exposition des photos de plateau sign\u00e9es par Jean Ber. En 1986 sort Golden Eighties, une com\u00e9die musicale sign\u00e9e Chantal Akerman. Ce n’est certes …<\/p>\n","protected":false},"author":343,"featured_media":258634,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[7134,53,12],"tags":[],"class_list":["post-258565","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-we-love-belgian-cinema","category-coming-soon","category-awards"],"yoast_head":"\n"Golden Eighties": relecture pop du cin\u00e9ma d'Akerman - We Love Cinema<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/welovecinema.be\/fr\/golden-eighties-relecture-pop-du-cinema-dakerman\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Golden Eighties": relecture pop du cin\u00e9ma d'Akerman - We Love Cinema\" \/>\n<meta property=\"og:description\" content=\"A l’occasion de la grande exposition et de la r\u00e9trospective Chantal Akerman organis\u00e9es par Bozar et la Cinematek, le cin\u00e9ma Palace ressort Golden Eighties, p\u00e9pite pop de la r\u00e9alisatrice, et propose une exposition des photos de plateau sign\u00e9es par Jean Ber. En 1986 sort Golden Eighties, une com\u00e9die musicale sign\u00e9e Chantal Akerman. 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