{"id":258040,"date":"2024-03-12T12:24:56","date_gmt":"2024-03-12T11:24:56","guid":{"rendered":"https:\/\/welovecinema.be\/?p=258040"},"modified":"2024-03-13T15:09:15","modified_gmt":"2024-03-13T14:09:15","slug":"katika-bluu-oublier-les-peintures-de-guerre","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/katika-bluu-oublier-les-peintures-de-guerre\/","title":{"rendered":"\u00ab\u00a0Katika Bluu\u00a0\u00bb: effacer les peintures de guerre"},"content":{"rendered":"

Katika Bluu<\/i> de St\u00e9phane Vuillet et St\u00e9phane Xhro\u00fcet, pr\u00e9sent\u00e9 en avant-premi\u00e8re belge au Love International Film Festival de Mons, nous plonge au coeur d\u2019un centre de transit qui accueille \u00e0 Goma, en R\u00e9publique d\u00e9mocratique du Congo, de jeunes gar\u00e7ons exfiltr\u00e9s des groupes arm\u00e9s qui les ont ravis \u00e0 leur famille pour en faire de la chair \u00e0 canon.<\/strong><\/p>\n

\u00ab\u00a0Tu n\u2019es qu\u2019un enfant ici. Tu te prends pour un homme?\u00a0\u00bb<\/i> Bravo, 16 ans, arrive dans le Centre comme avec une boule de col\u00e8re au ventre. Extr\u00eamement r\u00e9calcitrant, il teste les limites, insulte, vole. S\u2019il se lave des traces de la for\u00eat et du combat, il n\u2019oublie pas de r\u00e9-appliquer ses peintures de guerre, deux traces bleues, sur les joues. Il a beau \u00e9voluer au sein d\u2019un groupe, organis\u00e9 comme une famille, il est seul. La confrontation avec les mamans qui prennent soin de ces enfants perdus est d\u2019abord violente, avant d\u2019\u00eatre source d\u2019apaisement. Il faudra quelques jours au jeune homme pour se d\u00e9lester de la posture du soldat, et se (re)connecter avec sa part d\u2019enfance. Cela passe forc\u00e9ment par les autres. D\u2019abord Francine, une jeune fille qui vient donner un cours de capoeira, moment privil\u00e9gi\u00e9 qui lib\u00e8re les corps, leur r\u00e9-attribue une autre fonction que celle du combat. Puis Paul, un nouveau venu, pour lequel Bravo se prend d\u2019affection. \u00ab\u00a0Je voudrais devenir un serpent pour changer de peau,\u00a0\u00bb<\/i> clame-t-il. Et pouvoir, \u00e0 son tour, retrouver sa famille. Sauf que ce retour dans les familles, tant esp\u00e9r\u00e9, qui sert souvent de moteur au processus de r\u00e9insertion, est tout sauf un long fleuve tranquille.<\/p>\n

L\u2019histoire de Katika Bluu<\/i>, la fa\u00e7on dont le film est n\u00e9 est indissociable du r\u00e9sultat final. Tout d\u00e9coule \u00e0 l\u2019origine d\u2019un atelier de cin\u00e9ma initi\u00e9 par St\u00e9phane Xhro\u00fcet dans le Centre de Transit et d\u2019Orientation de Goma, \u00e0 l\u2019invitation de l\u2019UNICEF. Impressionn\u00e9 par la vie qui se recr\u00e9e au sien du centre, par la fa\u00e7on dont les enfants sont pleinement associ\u00e9s au processus de gestion des lieux, par leur d\u00e9couverte, apr\u00e8s le fonctionnement autocratique de la guerre, de la d\u00e9mocratie et de la bienveillance, il fait appel \u00e0 St\u00e9phane Vuillet pour donner plus d\u2019ampleur au film venant clore l\u2019atelier. Beaucoup plus d\u2019ampleur, puisque les jeunes prennent tr\u00e8s vite conscience des possibilit\u00e9s de la fiction, et du pouvoir de la repr\u00e9sentation. Et en m\u00eame temps, ils ont la force d\u2019\u00eatre plut\u00f4t que de jouer. Le court m\u00e9trage devient long.<\/p>\n

\"\"<\/p>\n

\u00a0D\u2019o\u00f9 un objet cin\u00e9matographique hybride, \u00e0 la puissance toute documentaire, mais amplifi\u00e9e par un souffle esth\u00e9tique qui emprunte aux outils de la fiction. Le mal\u00eatre de Bravo vaut pour celui de tous ces ex-enfants soldats. Le film met en sc\u00e8ne les cauchemars qui le hantent. Lors d\u2019une sc\u00e8ne saisissante, on observe ces jeunes gar\u00e7ons, tiraill\u00e9s entre leur enfance et leur exp\u00e9rience, jouer \u00e0 la guerre. On ne peut qu\u2019\u00eatre troubl\u00e9 par la collusion entre ces jeux d\u2019enfants, et la trajectoire de vie des personnages, d\u2019autant que le sound design nous plonge avec eux dans leurs souvenirs.<\/p>\n

On n’est pas pr\u00e8s d’oublier les joues bleues de Bravo…<\/p>\n","protected":false},"excerpt":{"rendered":"

Katika Bluu de St\u00e9phane Vuillet et St\u00e9phane Xhro\u00fcet, pr\u00e9sent\u00e9 en avant-premi\u00e8re belge au Love International Film Festival de Mons, nous plonge au coeur d\u2019un centre de transit qui accueille \u00e0 Goma, en R\u00e9publique d\u00e9mocratique du Congo, de jeunes gar\u00e7ons exfiltr\u00e9s des groupes arm\u00e9s qui les ont ravis \u00e0 leur famille pour en faire de la …<\/p>\n","protected":false},"author":343,"featured_media":258041,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[7134,53,12],"tags":[],"class_list":["post-258040","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-we-love-belgian-cinema","category-coming-soon","category-awards"],"yoast_head":"\n"Katika Bluu": effacer les peintures de guerre - We Love Cinema<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/welovecinema.be\/fr\/katika-bluu-oublier-les-peintures-de-guerre\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Katika Bluu": effacer les peintures de guerre - 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