{"id":249286,"date":"2023-02-09T10:50:20","date_gmt":"2023-02-09T09:50:20","guid":{"rendered":"https:\/\/www.cinevox.be\/?p=249286"},"modified":"2023-04-10T11:53:35","modified_gmt":"2023-04-10T09:53:35","slug":"le-retour-de-la-fete-du-court","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/le-retour-de-la-fete-du-court\/","title":{"rendered":"Le retour de la F\u00eate du Court!"},"content":{"rendered":"

L’op\u00e9ration phare de promotion du court m\u00e9trage belge, parrain\u00e9e cette ann\u00e9e par la r\u00e9alisatrice et com\u00e9dienne B\u00e9rang\u00e8re Mc Neese, se d\u00e9roulera du 15 au 21 mars en streaming, en salles et en t\u00e9l\u00e9vision. Tour d’horizon des grands axes de cette 2e \u00e9dition organis\u00e9e par le Centre du Cin\u00e9ma et de l’Audiovisuel.<\/strong><\/p>\n

Apr\u00e8s le succ\u00e8s rencontr\u00e9 lors de la 1\u00e8re \u00e9dition en 2022 (qui avait succ\u00e9d\u00e9 \u00e0 7 \u00e9ditions du Jour le Plus Court), le Centre du Cin\u00e9ma et de l’Audiovisuel renforce l’op\u00e9ration avec plusieurs nouveaut\u00e9s afin de mettre en lumi\u00e8re la richesse et la diversit\u00e9 des courts m\u00e9trages d\u2019initiative belge francophone.<\/p>\n

En streaming gratuitement sur feteducourt.be <\/a><\/h4>\n
    \n
  • 7 programmes de courts m\u00e9trages quotidiens autour de la com\u00e9die disponibles du 15 au 21 mars (1 programme par jour + le programme de la veille en rattrapage)<\/li>\n
  • 1 programme destin\u00e9 au jeune public \/ public scolaire disponible durant toute la semaine<\/li>\n
  • 1 programme consacr\u00e9 \u00e0 B\u00e9rang\u00e8re McNeese disponible d\u00e8s le 8 mars pour 2 semaines, en avant-go\u00fbt de la F\u00eate du Court M\u00e9trage<\/li>\n<\/ul>\n

    En salles, partout en Wallonie et \u00e0 Bruxelles<\/h4>\n
      \n
    • Des dizaines de s\u00e9ances de courts m\u00e9trages dans les lieux culturels de la F\u00e9d\u00e9ration Wallonie-Bruxelles : l’appel \u00e0 programmation, qui se cl\u00f4ture le 15 f\u00e9vrier, est ouvert aux associations, centres culturels, cin\u00e9mas, biblioth\u00e8ques, maisons de jeunes, mus\u00e9es, m\u00e9diath\u00e8ques, maisons de repos, cin\u00e9-clubs universitaires\u2026 Tous les lieux de projection, m\u00eame les plus insolites, peuvent y participer.<\/li>\n
    • Du court au long : du 8 au 21 mars, diff\u00e9rentes salles programmeront des courts m\u00e9trages avant des s\u00e9ances de longs m\u00e9trages, comme au bon vieux temps !<\/li>\n<\/ul>\n

      En t\u00e9l\u00e9vision<\/h4>\n
        \n
      • On retrouvera notamment une soir\u00e9e sp\u00e9ciale courts m\u00e9trages en prime time le jeudi 16 mars sur La Trois et la veille sur Be Cin\u00e9.<\/li>\n
      • Une offre VOD sp\u00e9ciale F\u00eate du Court M\u00e9trage sera \u00e9galement disponible sur plusieurs plateformes partenaires.<\/li>\n<\/ul>\n

        La Marraine : B\u00e9rang\u00e8re Mc Neese<\/h4>\n

        Sp\u00e9cialiste en la mati\u00e8re, devant et derri\u00e8re la cam\u00e9ra, la r\u00e9alisatrice et com\u00e9dienne belgo-am\u00e9ricaine B\u00e9rang\u00e8re Mc Neese est la marraine de cette nouvelle \u00e9dition.<\/p>\n

        B\u00e9rang\u00e8re Mc Neese est autodidacte et commence \u00e0 tourner d\u00e8s l\u2019enfance. En 2012, elle d\u00e9marre une carri\u00e8re au cin\u00e9ma (Eyjafjallajokull<\/em>) avant d’\u00e9crire, r\u00e9aliser et produire son premier court m\u00e9trage en 2015 (Le sommeil des amazones<\/em>), s\u00e9lectionn\u00e9 et prim\u00e9 dans divers festivals \u00e0 travers le monde. Son deuxi\u00e8me court (Les Corps Purs<\/em>), co-\u00e9crit, co-r\u00e9alis\u00e9 et co-produit avec Guillaume de Ginestel, suit le m\u00eame parcours en 2017. Matriochkas<\/em>, son troisi\u00e8me court, obtient le Magritte du meilleur court m\u00e9trage en 2020, ainsi que le Grand Prix \u00e0 Palms Springs et le prix de la meilleure r\u00e9alisation \u00e0 Rhode Island. La m\u00eame ann\u00e9e, il est multiprim\u00e9 au BSFF.<\/p>\n

        Le court m\u00e9trage peut prendre plein de formes, il repr\u00e9sente un terrain d\u2019exp\u00e9rimentation fou et sans limite. Sans contrainte de dur\u00e9e, de format, parce que plus affranchi d\u2019une rentabilit\u00e9, il est le lieu o\u00f9 les cin\u00e9astes inventent, testent, cr\u00e9ent.\u00a0 On a donc l\u2019occasion d\u2019y voir l\u2019\u00e9mergence de metteurs en sc\u00e8ne dont ce sont les premiers projets, mais aussi des r\u00e9alisateurs plus chevronn\u00e9s qui y retournent, justement, pour avoir moins de contraintes le temps d\u2019un film. Le court m\u00e9trage, pour moi, c\u2019est un geste plus libre.<\/p><\/blockquote>\n

        \"\"
        Avec le Magritte du Meilleur court m\u00e9trage (copyright: Matthieu Engelen)<\/figcaption><\/figure>\n

        En parall\u00e8le, B\u00e9rang\u00e8re Mc Neese joue l\u2019un des r\u00f4les principaux du film Le viol<\/em> d\u2019Alain Tasma (France 3). On la retrouve dans les s\u00e9ries Like Moi <\/em>(France 4), Le roi de la vanne<\/em> (Canal+), La bouse<\/em> (OCS), Fils de<\/em> (RTBF), ou encore HPI<\/em> (TF1). Elle joue \u00e9galement dans le long m\u00e9trage Photo de famille<\/em> de C\u00e9cilia Rouaud, et dans les courts m\u00e9trages Air comprim\u00e9<\/em> d\u2019Antoine Giorgini (s\u00e9lectionn\u00e9 aux C\u00e9sars 2019), et Nique Verlaine<\/em> de Viktor Milletic.<\/p>\n

        J\u2019ai l\u2019impression que les temps changent et les demandent de contenus aussi. En fait, avec l\u2019av\u00e8nement des contenus visibles un peu partout, sur les r\u00e9seaux notamment, j\u2019ai l\u2019impression qu\u2019on voit une renaissance des formats courts, mais qui ont pris d\u2019autres aspects. Je crois que le court m\u00e9trage a plus que jamais sa place dans nos imaginaires, il permet de d\u00e9couvrir des univers si singuliers, d\u2019en voir plusieurs \u00e0 la suite et de voyager \u00e0 plein d\u2019endroits diff\u00e9rents en peu de temps. Cette F\u00eate du Court M\u00e9trage permet aussi au grand public de d\u00e9couvrir de jeunes r\u00e9alisateurs ou des cin\u00e9astes plus confirm\u00e9s issus de Belgique, qui foisonne de talents archi-diff\u00e9rents.<\/p><\/blockquote>\n

        R\u00e9cemment, elle \u00e9tait \u00e0 l\u2019affiche de la s\u00e9rie Des Gens Bien<\/em> (RTBF) ainsi que de Braqueurs<\/em> sur Netflix. Elle multiplie actuellement les tournages et est en \u00e9criture de formats plus longs.<\/p>\n

         <\/p>\n

         <\/p>\n","protected":false},"excerpt":{"rendered":"

        L’op\u00e9ration phare de promotion du court m\u00e9trage belge, parrain\u00e9e cette ann\u00e9e par la r\u00e9alisatrice et com\u00e9dienne B\u00e9rang\u00e8re Mc Neese, se d\u00e9roulera du 15 au 21 mars en streaming, en salles et en t\u00e9l\u00e9vision. Tour d’horizon des grands axes de cette 2e \u00e9dition organis\u00e9e par le Centre du Cin\u00e9ma et de l’Audiovisuel. Apr\u00e8s le succ\u00e8s rencontr\u00e9 …<\/p>\n","protected":false},"author":343,"featured_media":249287,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[7134,53,12],"tags":[4187],"class_list":["post-249286","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-we-love-belgian-cinema","category-coming-soon","category-awards","tag-newsletter-fr"],"yoast_head":"\nLe retour de la F\u00eate du Court! - We Love Cinema<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/welovecinema.be\/fr\/le-retour-de-la-fete-du-court\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le retour de la F\u00eate du Court! - We Love Cinema\" \/>\n<meta property=\"og:description\" content=\"L’op\u00e9ration phare de promotion du court m\u00e9trage belge, parrain\u00e9e cette ann\u00e9e par la r\u00e9alisatrice et com\u00e9dienne B\u00e9rang\u00e8re Mc Neese, se d\u00e9roulera du 15 au 21 mars en streaming, en salles et en t\u00e9l\u00e9vision. 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