{"id":246160,"date":"2022-08-09T10:00:24","date_gmt":"2022-08-09T08:00:24","guid":{"rendered":"https:\/\/www.cinevox.be\/?p=246160"},"modified":"2022-08-10T14:23:13","modified_gmt":"2022-08-10T12:23:13","slug":"valentina-maurel-aux-origines-de-tengo-suenos-electricos","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/valentina-maurel-aux-origines-de-tengo-suenos-electricos\/","title":{"rendered":"Valentina Maurel: aux origines de \u00ab\u00a0Tengo sue\u00f1os el\u00e9ctricos\u00a0\u00bb"},"content":{"rendered":"

On a crois\u00e9 la r\u00e9alisatrice costaricienne install\u00e9e \u00e0 Bruxelles, Valentina Maurel, qui pr\u00e9sente en Comp\u00e9tition au prestigieux Festival de Locarno son premier long m\u00e9trage, Tengo sue\u00f1os el\u00e9ctricos<\/em>, dans la section Concorso internazionale. La cin\u00e9aste s’est notamment faite remarqu\u00e9e avec ses deux courts m\u00e9trages, Paul est l\u00e0<\/em>, film de fin d’\u00e9tudes de l’INSAS, Prix de la Cin\u00e9fondation \u00e0 Cannes en 2017, et Lucia en el limbo<\/em>, s\u00e9lectionn\u00e9 \u00e0 la Semaine de la Critique de Cannes en 2019. Elle revient pour nous sur les origines de cet ambitieux projet, que l’on esp\u00e8re voir \u00e0 l’automne en Belgique.<\/strong><\/p>\n

Quelles sont les origines du projet?<\/b><\/p>\n

C\u2019est un projet \u00e9crit dans la continuit\u00e9 de ce que j\u2019avais fait dans mes deux courts m\u00e9trages pr\u00e9c\u00e9dents. En g\u00e9n\u00e9ral, je ne choisis pas mes sujets de fa\u00e7on tr\u00e8s rationnelle. J\u2019ai commenc\u00e9 \u00e0 \u00e9crire, et j\u2019ai ressenti le besoin de parler du rapport au p\u00e8re. C\u2019\u00e9tait un petit peu compliqu\u00e9, parce que j\u2019ai l\u2019impression que c\u2019est un sujet qui a \u00e9t\u00e9 beaucoup abord\u00e9, le rapport au p\u00e8re, de Hamlet<\/em> \u00e0 Star Wars<\/em>. C\u2019est un sujet peut-\u00eatre un peu banal, mais n\u00e9anmoins essentiel, et puis je n\u2019avais pas vu tant que \u00e7a de films qui parlait du rapport p\u00e8re\/fille, alors je me suis autoris\u00e9e \u00e0 en parler. Le personnage d’Eva, qui porte le r\u00e9cit, ressemble assez fort \u00e0 mes deux h\u00e9ro\u00efnes pr\u00e9c\u00e9dentes,\u00a0c\u2019\u00e9tait comme les retrouver, poursuivre l’histoire, d’une certaine fa\u00e7on.<\/p>\n

\"Tengo-suenos-electricos\"<\/p>\n

Qu’est-ce qui caract\u00e9rise Eva justement?<\/b><\/p>\n

Eva, c\u2019est une adolescente qui d\u00e9couvre le monde des adultes. Dans mes courts pr\u00e9c\u00e9dents, je parlais du rapport au p\u00e8re, puis d\u2019une adolescente qui d\u00e9couvre sa sexualit\u00e9, l\u00e0, j\u2019avais plut\u00f4t envie de parler d\u2019une adolescente entour\u00e9e d\u2019adultes, qui a envie d\u2019en \u00eatre, notamment en se rapprochant de son p\u00e8re et des amis de celui-ci. La trajectoire d\u2019Eva n\u2019est pas celle d\u2019une adolescente qui devient une adulte, mais plut\u00f4t celle d\u2019une adolescente qui d\u00e9couvre qu\u2019il n\u2019y a pas vraiment d\u2019adultes autour d\u2019elle. Elle se rend compte que m\u00eame si les adultes autour d\u2019elle peuvent cocher certaines cases (ils fument, ils conduisent), mais en fait ce sont des \u00eatres tout aussi paum\u00e9s qu\u2019elle. Pour moi ce qui caract\u00e9rise Eva, c\u2019est que c\u2019est une adolescente qui est finalement presque plus lucide ou presque plus mature, presque plus arm\u00e9e pour la vie que les adultes qui l\u2019entourent.<\/p>\n

Comment souhaitiez-vous montrer l\u2019adolescence, une p\u00e9riode souvent montr\u00e9e au cin\u00e9ma?<\/b><\/p>\n

En fait, j\u2019aimerais ne plus parler d\u2019adolescence, j\u2019en ai un peu marre, mais il y quelque chose qui fait que j\u2019y retourne toujours (rires)<\/em>. Je savais que je ne voulais pas faire un coming-of-age, l’histoire d’une enfant jeune fille qui devient une jeune femme comme par magie. Ca me crispe un peu parce que ce serait imaginer que l\u2019adolescence est une \u00e9tape dans la vie, d\u00e9limit\u00e9e par des choses un peu abstraites. Comme si on devenait un adulte \u00e0 18 ans, juste pour des raisons l\u00e9gales. Je voulais parler de l\u2019adolescence, sans \u00e9difier de fronti\u00e8re avec l\u2019\u00e2ge adulte. Que cette adolescente se rende compte que les adultes autour d\u2019elle sont aussi des adolescents. Je ne voulais pas d\u2019une histoire lin\u00e9aire d\u2019une adolescente qui devienne une adulte, mais plut\u00f4t parler d\u2019adolescence comme de la d\u00e9couverte du fait qu\u2019il n\u2019y a pas de point d\u2019arriv\u00e9e.<\/p>\n

L\u2019adolescence, c\u2019est \u00e0 la fois \u00e9prouver le d\u00e9sir d\u2019\u00eatre un adulte, tout en s\u2019apercevant que \u00e7a n\u2019existe pas vraiment, les adultes. On devient des \u00eatres peut-\u00eatre plus stables biologiquement, mais c\u2019est tout. Je crois qu\u2019on est bien plus perdus quand on est adulte qu\u2019\u00e0 l\u2019adolescence, o\u00f9 on a un meilleur acc\u00e8s \u00e0 la po\u00e9sie, et peut-\u00eatre m\u00eame \u00e0 la lucidit\u00e9.<\/p>\n

\"Tengo-suenos-electricos\"<\/p>\n

Qu’est-ce qui vous tenait \u00e0 coeur avec ce premier film?<\/strong><\/p>\n

En tant que cin\u00e9aste latino, je voulais raconter une histoire inscrite dans une classe moyenne urbaine, qui ne r\u00e9ponde pas \u00e0 l\u2019imaginaire europ\u00e9en du pays tropical o\u00f9 il y a forc\u00e9ment des histoires de drogues dans des quartiers d\u00e9vast\u00e9s, ou de r\u00e9alisme magique dans la jungle. Je voulais m\u2019autoriser une complexit\u00e9 et une int\u00e9riorit\u00e9, \u00e9viter l\u2019exotisme. J\u2019avais aussi envie de filmer la ville, ma ville, San Jos\u00e9, une ville un peu chaotique pas tr\u00e8s repr\u00e9sent\u00e9e dans le cin\u00e9ma costaricien, peut-\u00eatre parce qu\u2019elle ne correspond pas \u00e0 l\u2019imaginaire des Europ\u00e9ens par rapport \u00e0 ce que peut \u00eatre une ville tropicale. En gros, j\u2019avais envie de filmer des personnages en errance \u00e0 San Jos\u00e9, m\u00eame si finalement, je n\u2019ai pas tellement film\u00e9 San Jos\u00e9!<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

On a crois\u00e9 la r\u00e9alisatrice costaricienne install\u00e9e \u00e0 Bruxelles, Valentina Maurel, qui pr\u00e9sente en Comp\u00e9tition au prestigieux Festival de Locarno son premier long m\u00e9trage, Tengo sue\u00f1os el\u00e9ctricos, dans la section Concorso internazionale. La cin\u00e9aste s’est notamment faite remarqu\u00e9e avec ses deux courts m\u00e9trages, Paul est l\u00e0, film de fin d’\u00e9tudes de l’INSAS, Prix de la …<\/p>\n","protected":false},"author":343,"featured_media":246161,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[12,1978],"tags":[4187,6901,2007],"class_list":["post-246160","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-awards","category-interviews","tag-newsletter-fr","tag-tengo-suenos-electricos","tag-valentina-maurel"],"yoast_head":"\nValentina Maurel: aux origines de "Tengo sue\u00f1os el\u00e9ctricos" - We Love Cinema<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/welovecinema.be\/fr\/valentina-maurel-aux-origines-de-tengo-suenos-electricos\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Valentina Maurel: aux origines de "Tengo sue\u00f1os el\u00e9ctricos" - We Love Cinema\" \/>\n<meta property=\"og:description\" content=\"On a crois\u00e9 la r\u00e9alisatrice costaricienne install\u00e9e \u00e0 Bruxelles, Valentina Maurel, qui pr\u00e9sente en Comp\u00e9tition au prestigieux Festival de Locarno son premier long m\u00e9trage, Tengo sue\u00f1os el\u00e9ctricos, dans la section Concorso internazionale. 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