{"id":242786,"date":"2022-01-25T17:32:17","date_gmt":"2022-01-25T16:32:17","guid":{"rendered":"https:\/\/www.cinevox.be\/?p=242786"},"modified":"2022-01-25T17:32:55","modified_gmt":"2022-01-25T16:32:55","slug":"adieu-paris-benoit-poelvoorde-et-francois-damiens-a-la-table-dedouard-baer","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/adieu-paris-benoit-poelvoorde-et-francois-damiens-a-la-table-dedouard-baer\/","title":{"rendered":"\u00ab\u00a0Adieu Paris\u00a0\u00bb: la derni\u00e8re (s)c\u00e8ne"},"content":{"rendered":"

C’est ce mercredi que sort Adieu Paris<\/em>, le nouveau film d’Edouard Baer, variation d\u00e9licieusement bavarde et \u00e9tonnamment m\u00e9lancolique sur le th\u00e8me du film de potes, plus Un \u00e9l\u00e9phant \u00e7a trompe \u00e9norm\u00e9ment<\/em> que buddy movie <\/em>bobo.<\/strong><\/p>\n

Chaque ann\u00e9e \u00e0 la m\u00eame date, ils se r\u00e9unissent \u00e0 La Closerie des Lilas, pour un diner qui avec le temps s’est surement chang\u00e9 en d\u00e9jeuner. Mais qui qui sont-ils? Les derniers grands hommes, des \u00e9l\u00e9phants, des l\u00e9gendes, ce que le tout-Paris compte encore d’intellectuels vaguement fringants, d’hommes d’esprit et de lettres. Des vieux de la vieille en somme. De vieux m\u00e2les blancs de plus de soixante ans, en d’autres termes, qui se r\u00e9unissent pour d\u00e9guster des poireaux vinaigrette, se donner des nouvelles de leurs connaissances (celles pas encore fauch\u00e9es par la vieillesse ou la maladie), et couronner celui qui a \u00e9t\u00e9 le plus parfaitement improductif au cours de l’ann\u00e9e \u00e9coul\u00e9e. Visiblement il fut un temps o\u00f9 c’\u00e9tait encore un art pr\u00e9cieux que celui de ne rien faire.<\/p>\n

\"\"<\/p>\n

Chaque ann\u00e9e, la petite troupe accueille un invit\u00e9 \u00e9ph\u00e9m\u00e8re, venu partager ce repas arros\u00e9. Et cette ann\u00e9e, l’invit\u00e9 tr\u00e8s sp\u00e9cial, c’est Beno\u00eet Poelvoorde. Beno\u00eet Poelvoorde, ou presque, un Beno\u00eet Poelvoorde de fiction, acteur namurois fascin\u00e9 par le lustre parisien, par le scintillement de la ville lumi\u00e8re, qui nous entra\u00eene dans ce guet-apens qui se transforme vite en diner de cons. On le suit sur son chemin vers son excitant rendez-vous, s’arr\u00eatant au bistrot du coin pour boire un coup avant la grande confrontation, soutenue par sa femme (g\u00e9niale Isabelle Nanty) qui questionne sa fascination.<\/p>\n

Une fois arriv\u00e9 sur place malheureusement, l’accueil est moins que convivial, voire carr\u00e9ment glacial. Malgr\u00e9 l’insistance de son compatriote, Louki (Fran\u00e7ois Damiens, \u00e0 la fois fid\u00e8le \u00e0 lui-m\u00eame ET surprenant en artiste contemporain sensiblement sur-c\u00f4t\u00e9), Beno\u00eet se voit interdire de prendre place \u00e0 table.<\/p>\n

\"\"<\/p>\n

C’est \u00e0 un banquet finalement bien triste que nous convie Edouard Baer. Si de temps \u00e0 autre l’on se r\u00e9gale de l’une ou l’autre pique, de la faconde de l’un ou l’\u00e9loquence de l’autre, ce \u00e0 quoi l’on assiste avant tout, c’est \u00e0 la fin d’une \u00e9poque, au chant des cygnes. Non, ce n’est surement pas qu’un au revoir, mais bien un adieu. Et ils nous touchent, tous autant qu’ils sont, ces personnages auxquels on s’appr\u00eate \u00e0 dire adieu, Beno\u00eet Poelvoorde d’abord, d\u00e9sol\u00e9 d’arriver trop tard au banquet, \u00e9mouvant dans sa volont\u00e9 farouche de s’int\u00e9grer, d’en faire partie, m\u00eame si c’est faire partie d’un monde en train de mourir. Ses h\u00f4tes ensuite, Fran\u00e7ois Damiens donc, mais aussi Pierre Arditi, Jackie Berroyer, Bernard Le Coq, Daniel Pr\u00e9vost, Bernard Murat, Jean-Fran\u00e7ois St\u00e9venin, ou G\u00e9rard Depardieu, qui tous autant qu’ils sont se jouent autant d’eux-m\u00eames que de l’id\u00e9e qu’on s’en fait, qui jouent de leur image d’acteurs sur le retour, de dinosaures d’une \u00e9poque bient\u00f4t r\u00e9volue. Et qui \u00e0 d\u00e9faut d’accueillir \u00e0 leur table le \u00ab\u00a0jeune\u00a0\u00bb acteur fougueux, n’ont pas d’autre choix que d’accueillir deux convives qui s’imposent malgr\u00e9 eux, la mort et la vieillesse.<\/p>\n

Un dernier repas, une derni\u00e8re (s)c\u00e8ne, la fin d’une \u00e9poque.<\/p>\n","protected":false},"excerpt":{"rendered":"

C’est ce mercredi que sort Adieu Paris, le nouveau film d’Edouard Baer, variation d\u00e9licieusement bavarde et \u00e9tonnamment m\u00e9lancolique sur le th\u00e8me du film de potes, plus Un \u00e9l\u00e9phant \u00e7a trompe \u00e9norm\u00e9ment que buddy movie bobo. Chaque ann\u00e9e \u00e0 la m\u00eame date, ils se r\u00e9unissent \u00e0 La Closerie des Lilas, pour un diner qui avec le …<\/p>\n","protected":false},"author":343,"featured_media":242787,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[10],"tags":[4014,4177,4187],"class_list":["post-242786","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-a-l-affiche","tag-benoit-poelvoorde-2","tag-francois-damiens-2","tag-newsletter-fr"],"yoast_head":"\n"Adieu Paris": la derni\u00e8re (s)c\u00e8ne - We Love Cinema<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/welovecinema.be\/fr\/adieu-paris-benoit-poelvoorde-et-francois-damiens-a-la-table-dedouard-baer\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Adieu Paris": la derni\u00e8re (s)c\u00e8ne - We Love Cinema\" \/>\n<meta property=\"og:description\" content=\"C’est ce mercredi que sort Adieu Paris, le nouveau film d’Edouard Baer, variation d\u00e9licieusement bavarde et \u00e9tonnamment m\u00e9lancolique sur le th\u00e8me du film de potes, plus Un \u00e9l\u00e9phant \u00e7a trompe \u00e9norm\u00e9ment que buddy movie bobo. 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