{"id":224944,"date":"2019-11-18T11:00:22","date_gmt":"2019-11-18T10:00:22","guid":{"rendered":"https:\/\/www.cinevox.be\/?p=224944"},"modified":"2019-11-19T09:05:59","modified_gmt":"2019-11-19T08:05:59","slug":"cleo-apprivoiser-le-deuil","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/cleo-apprivoiser-le-deuil\/","title":{"rendered":"\u00ab\u00a0Cleo\u00a0\u00bb: apprivoiser le deuil"},"content":{"rendered":"
\n

Avec Cleo<\/em>, son premier long m\u00e9trage, Eva Cools retrace avec pudeur et sensibilit\u00e9 l’itin\u00e9raire d’un impossible deuil, un deuil filial autant que maternel, sur fond d’adieu \u00e0 l’enfance. Le film sort mercredi prochain dans les salles belges.\u00a0<\/strong><\/p>\n

Cleo, 17 ans, survit \u00e0 un accident de la route dans lequel ses parents d\u00e9c\u00e8dent. Sa grand-m\u00e8re aimante essaie d’offrir un nid chaud \u00e0 Cleo et son petit fr\u00e8re, mais doit faire face \u00e0 une adolescente rebelle, qui cherche du r\u00e9confort aupr\u00e8s du myst\u00e9rieux L\u00e9os, un gar\u00e7on beaucoup plus \u00e2g\u00e9 qui cache une terrible faille.<\/p>\n

Cleo<\/em> dresse le portrait \u00e2pre et sans fard d’une jeune fille en perdition, \u00e9cras\u00e9e par le stress post-traumatique d’un deuil dont elle porte, pense-t-elle, la responsabilit\u00e9 \u00e0 ses yeux et aux yeux du monde. Si Cleo a \u00e9chapp\u00e9 de peu \u00e0 la noyade, elle semble encore se d\u00e9battre dans les eaux profondes du deuil et de la d\u00e9pression, \u00e0 bout de souffle, cherchant sans cesse une respiration qui la raccroche \u00e0 la vie.<\/div>\n

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Cette respiration, elle va la trouver avec L\u00e9o, ce gar\u00e7on de 10 ans son a\u00een\u00e9, aupr\u00e8s duquel elle pense pouvoir se r\u00e9inventer. Un inconnu aux yeux duquel elle peut inventer une nouvelle Cleo, d\u00e9barrass\u00e9e de son pass\u00e9 et de son trauma, une jeune fille libre et lib\u00e9r\u00e9e, qui reprend go\u00fbt \u00e0 la vie, et \u00e0 la musique.<\/div>\n
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Car la musique, c’est l’autre respiration de Cleo. Fille de musiciens, elle se lance dans un d\u00e9fi musical qui fait ressurgir les fant\u00f4mes du pass\u00e9, comme pour clore un chapitre de leur histoire. Alors qu’elle a abandonn\u00e9 le clavier depuis quelques temps, elle reprend les partitions pour grimper ce qui devient son Everest, une pi\u00e8ce virtuose de Rachmaninov, qui mobilise son implication la plus totale, aussi bien physiquement qu’\u00e9motionnellement. Le morceau, qu’elle r\u00e9p\u00e8te inlassablement, jusqu’\u00e0 la performance finale qui prend des allures cathartiques, fait office de vecteur, de passeur de l’autre c\u00f4t\u00e9 du deuil, symbolisant toute son intensit\u00e9, la col\u00e8re, le chagrin, la d\u00e9tresse, la culpabilit\u00e9, le manque, la tristesse, mais aussi l’amour, et la force du souvenir.<\/div>\n

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\"\"<\/div>\n
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Dans le r\u00f4le de Cleo, on retrouve la jeune com\u00e9dienne Anna Franziska Jaeger, qui donne corps avec opini\u00e2tret\u00e9 et justesse \u00e0 cet animal bless\u00e9 qui cherche peu \u00e0 peu \u00e0 se reconstruire. Face \u00e0 elle, Roy Aernouts incarne avec une profonde intensit\u00e9 Leos, jeune homme lui aussi d\u00e9vast\u00e9, non par le deuil, mais d\u00e9vor\u00e9 par la culpabilit\u00e9. A ses c\u00f4t\u00e9s, Yolande Moreau incarne avec autant de bienveillance que de d\u00e9sarroi une m\u00e8re elle-m\u00eame en deuil, qui tente d’accompagner au mieux des petits-enfants qu’elle peine parfois \u00e0 comprendre, alors qu’elle tente de panser ses plaies.<\/div>\n
<\/div>\n

 <\/p>\n

Autour d’eux naviguent encore Martha Canga Antonio, Lucie Debay ou Natali Broods, dans une Bruxelles nocturne et sur le fil, d\u00e9cor brumeux des errances des personnages. Avec ce premier film, Eva Cools ancre dans le territoire accident\u00e9 de la capitale belge ce coming-of-age douloureux all\u00e9g\u00e9 par quelques notes de musique. On en reparle tr\u00e8s vite avec les deux h\u00e9ro\u00efnes du film.<\/div>\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Avec Cleo, son premier long m\u00e9trage, Eva Cools retrace avec pudeur et sensibilit\u00e9 l’itin\u00e9raire d’un impossible deuil, un deuil filial autant que maternel, sur fond d’adieu \u00e0 l’enfance. Le film sort mercredi prochain dans les salles belges.\u00a0 Cleo, 17 ans, survit \u00e0 un accident de la route dans lequel ses parents d\u00e9c\u00e8dent. Sa grand-m\u00e8re aimante …<\/p>\n","protected":false},"author":343,"featured_media":224945,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[53],"tags":[4714,4715,4187,4713],"class_list":["post-224944","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-coming-soon","tag-cleo-2","tag-eva-cools-2","tag-newsletter-fr","tag-yolande-moreaux"],"yoast_head":"\n"Cleo": apprivoiser le deuil - We Love Cinema<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/welovecinema.be\/fr\/cleo-apprivoiser-le-deuil\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Cleo": apprivoiser le deuil - We Love Cinema\" \/>\n<meta property=\"og:description\" content=\"Avec Cleo, son premier long m\u00e9trage, Eva Cools retrace avec pudeur et sensibilit\u00e9 l’itin\u00e9raire d’un impossible deuil, un deuil filial autant que maternel, sur fond d’adieu \u00e0 l’enfance. 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