{"id":222612,"date":"2019-09-11T17:00:46","date_gmt":"2019-09-11T15:00:46","guid":{"rendered":"https:\/\/www.cinevox.be\/?p=222612"},"modified":"2019-09-13T09:15:43","modified_gmt":"2019-09-13T07:15:43","slug":"sans-frapper-deconstruire-la-culture-du-viol","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/sans-frapper-deconstruire-la-culture-du-viol\/","title":{"rendered":"\u00ab\u00a0Sans frapper\u00a0\u00bb: d\u00e9construire la culture du viol"},"content":{"rendered":"

Avec son bouleversant documentaire Sans frapper<\/em>, diffus\u00e9 un peu partout dans le monde et qui sort d\u00e9sormais en Belgique, la r\u00e9alisatrice Alexe Poukine s’attache \u00e0 d\u00e9construire les repr\u00e9sentations que l’on se fait du viol et des violeurs, et transforme l’histoire d’un viol singulier en l’histoire d’une exp\u00e9rience collective des violences sexuelles induites par une soci\u00e9t\u00e9 patriarcale qui tarde \u00e0 s’interroger sur ce mal syst\u00e9mique.\u00a0<\/strong><\/p>\n

Ada a 19 ans. Elle a la vie devant elle, et tout \u00e0 apprendre, notamment l’amour. Elle rencontre un gar\u00e7on, un ami, qui va la violer, \u00e0 plusieurs reprises. Ada a 29 ans, et elle confie son histoire aussi indicible qu’inaudible \u00e0 une r\u00e9alisatrice, qui choisit de la faire interpr\u00e9ter par un choeur de femmes, qui pr\u00eatent leurs voix et leurs corps \u00e0 ce r\u00e9cit de la violence patriarcale. Autant de visages qui forment un \u00ab\u00a0nous\u00a0\u00bb salvateur pour replacer l’histoire d’Ada dans un syst\u00e8me qui nourrit ce qu’on commence \u00e0 d\u00e9finir comme une v\u00e9ritable culture du viol.<\/p>\n

\"Sans-Frapper-Alexe-Poukine\"<\/p>\n

Pourtant au premier abord, l’histoire d’Ada interpelle. Elle ne cadre pas avec les repr\u00e9sentations que l’on se fait du viol, ce viol fantasm\u00e9 par ses r\u00e9cits fictionnels. Pas de nuit noire, pas de ruelle sombre, pas d’inconnu mena\u00e7ant arm\u00e9 d’une lame luisante. Non. Ada conna\u00eet son agresseur. Elle a accept\u00e9 d’aller manger chez lui. Elle a accept\u00e9 de l’embrasser. Elle l’\u00e9coute parler de films pornographiques, m\u00eame si \u00e7a la met mal \u00e0 l’aise. Plus tard, Ada retourne chez son agresseur. Son agresseur, lui, n’est pas un vieux pervers mena\u00e7ant. C’est un camarade \u00e9tudiant. C’est m\u00eame l’ex-petit ami de sa colocataire. Un jeune homme bien sous beaucoup de rapports.<\/p>\n

Cette distance entre l’exp\u00e9rience d’Ada, et l’id\u00e9e que l’on se fait du viol rend sa parole presque impossible. Alors pour contourner la violence d’un t\u00e9moignage qui nuirait \u00e0 sa victime, Alexe Poukine le d\u00e9multiplie, le faisant rejouer \u00e0 une succession de femmes, et quelques hommes. Ceux et celles-ci incarnent les mots d’Ada, mais sont aussi invit\u00e9s dans un deuxi\u00e8me temps \u00e0 r\u00e9fl\u00e9chir \u00e0 l’interpr\u00e9tation qu’elles et ils en ont faite. Multipliant les possibilit\u00e9s d’identification du spectateur, ces diff\u00e9rentes personnalit\u00e9s qui portent le r\u00e9cit d’Ada sont aussi autant de versions des possibles r\u00e9actions que suscite son r\u00e9cit.<\/p>\n

\"Sans-Frapper-Alexe-Poukine\"<\/p>\n

Mais cette confrontation \u00e0 l’histoire d’Ada va renvoyer ses diff\u00e9rents interpr\u00e8tes \u00e0 leur propre histoire, celle par exemple d’une jeune femme encore terrass\u00e9e aujourd’hui par les violences sexuelles qu’elle a subies dans son enfance, celle d’une chanceuse qui a \u00e9chapp\u00e9 au viol alors qu’elle a v\u00e9cu sa jeunesse en toute libert\u00e9, celle d’un homme qui comprend qu’il a lui aussi pu \u00eatre ce violeur. L’histoire individuelle d’Ada est l’histoire de toutes et de tous. Elle est l’histoire d’une soci\u00e9t\u00e9 travers\u00e9e par une culture du viol end\u00e9mique. Elle est l’histoire de cette notion de consentement qui commence tout juste \u00e0 \u00e9merger dans le d\u00e9bat public depuis l’affaire Weinstein et la lib\u00e9ration de la parole qu’a repr\u00e9sent\u00e9 #metoo.<\/p>\n

A l’image de Mitra<\/em>, ou de By the Name of Tania<\/em>, qui brouillaient les fronti\u00e8res de la fiction pour renforcer l’impact du t\u00e9moignage de leurs victimes, Sans frapper<\/em> d\u00e9roule avec puissance un dispositif fort nourri de d\u00e9tours fictionnels qui permet de donner corps \u00e0 un r\u00e9cit ultra-contemporain pourtant universellement ancr\u00e9 dans l’histoire, celui d’une masculinit\u00e9 toxique et d’un patriarcat aveugle qui soumet les femmes au d\u00e9sir des hommes, en toute impunit\u00e9 ou presque.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Avec son bouleversant documentaire Sans frapper, diffus\u00e9 un peu partout dans le monde et qui sort d\u00e9sormais en Belgique, la r\u00e9alisatrice Alexe Poukine s’attache \u00e0 d\u00e9construire les repr\u00e9sentations que l’on se fait du viol et des violeurs, et transforme l’histoire d’un viol singulier en l’histoire d’une exp\u00e9rience collective des violences sexuelles induites par une soci\u00e9t\u00e9 …<\/p>\n","protected":false},"author":343,"featured_media":222618,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[10],"tags":[4551,4187,4552],"class_list":["post-222612","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-a-l-affiche","tag-alexe-poukine","tag-newsletter-fr","tag-sans-frapper"],"yoast_head":"\n"Sans frapper": d\u00e9construire la culture du viol - We Love Cinema<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/welovecinema.be\/fr\/sans-frapper-deconstruire-la-culture-du-viol\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Sans frapper": d\u00e9construire la culture du viol - 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