{"id":215880,"date":"2018-12-26T09:10:55","date_gmt":"2018-12-26T08:10:55","guid":{"rendered":"https:\/\/www.cinevox.be\/?p=215880"},"modified":"2018-12-27T09:22:20","modified_gmt":"2018-12-27T08:22:20","slug":"flashback-2018-flashforward-2019-david-lambert","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/flashback-2018-flashforward-2019-david-lambert\/","title":{"rendered":"Flashback 2018\/ Flashforward 2019: David Lambert"},"content":{"rendered":"\n

David LAMBERT, r\u00e9alisateur<\/h3>\n\n\n\n

Actualit\u00e9 2018<\/h4>\n\n\n\n

Apr\u00e8s Hors les murs<\/em> (2012) et Je suis \u00e0 toi<\/em> (2014), David Lambert sortait en mai dernier son 3e long m\u00e9trage, Troisi\u00e8mes Noces<\/a><\/em>, une adaptation du roman \u00e9ponyme de Tom Lanoye, com\u00e9die tendre et dramatique qui parle aussi bien d\u2019amour que de veuvage, de migration que de transmission, <\/strong>avec dans les r\u00f4les principaux Bouli Lanners et Rachel Mwanza. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Meilleur souvenir cin\u00e9matographique?<\/h4>\n\n\n\n

Supa Modo<\/em>, un film kenyan que j’ai d\u00e9couvert au Palace \u00e0 Bruxelles. J’ai commenc\u00e9 \u00e0 pleurer \u00e0 la minute 5, \u00e7a ne s’est pas arr\u00eat\u00e9.
<\/p>\n\n\n\n

Meilleur moment sur le plan professionnel?<\/h4>\n\n\n\n

Les rires pendant les projections de Troisi\u00e8mes Noces<\/em> alors que j’\u00e9coute la salle depuis la cabine ou derri\u00e8re la porte. Et aussi un spectateur \u00e0 Angoul\u00eame que j’ai pris dans mes bras pour le consoler.
<\/p>\n\n\n\n

La femme et\/ou l\u2019homme du cin\u00e9ma belge en 2018?<\/h4>\n\n\n\n

Girl<\/em>
<\/p>\n\n\n\n

Votre film belge pr\u00e9f\u00e9r\u00e9 en 2018?<\/h4>\n\n\n\n

Il y a deux films. D’abord un court m\u00e9trage d’une cin\u00e9aste qui s’appelle Binevsa Berivan avec qui j’ai l’honneur de travailler, il s’appelle Gardiens<\/em>, il a re\u00e7u le prix Canal+ au Cinemed \u00e0 Montpellier. C’est simple, concis, \u00e9mouvant, politique et pertinent. Puis il y a un documentaire, celui de Jawad Rahlib avec qui j’ai aussi l’honneur de travailler, il s’agit de Au temps o\u00f9 les arabes dansaient<\/a><\/em>. Un film qui fait le tour du monde. Un film n\u00e9cessaire, confrontant, beau. C’est un film qui peut changer des vies et qui m’a mis dans un dr\u00f4le d’\u00e9tat pendant plusieurs jours, c’est tellement rare !
<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Qu\u2019attendez-vous de 2019?<\/h4>\n\n\n\n

Moins de m\u00e9pris, plus de bienveillance.
<\/p>\n\n\n\n

Quel est le film (ou le talent) belge que vous aimeriez (re)voir en 2019?<\/h4>\n\n\n\n

Paul Meyer.
<\/p>\n\n\n\n

Vos projets pour 2019?<\/h4>\n\n\n\n

Un documentaire animalier dans les Marolles.
<\/p>\n","protected":false},"excerpt":{"rendered":"

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