{"id":200178,"date":"2017-05-30T10:36:58","date_gmt":"2017-05-30T08:36:58","guid":{"rendered":"http:\/\/www.cinevox.be\/?p=200178\/"},"modified":"2017-05-30T10:45:50","modified_gmt":"2017-05-30T08:45:50","slug":"low-notes-premier-film-atypique-de-laurier-fourniau","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/low-notes-premier-film-atypique-de-laurier-fourniau\/","title":{"rendered":"\u00ab\u00a0Low Notes\u00a0\u00bb, premier film atypique de Laurier Fourniau"},"content":{"rendered":"

Leon, 22 ans, s’installe \u00e0 Los Angeles, apr\u00e8s avoir quitt\u00e9 sa c\u00f4te Est natale et son premier amour, Eva.\u00a0Les quartiers r\u00e9sidentiels calmes et ensoleill\u00e9s\u00a0sont le d\u00e9cor parfait d’une vie oisive et opulente,\u00a0vibrant au son des violoncelles.\u00a0Avec Alexis, \u00e9tudiant exub\u00e9rant d’origine chilienne, vir\u00e9es fr\u00e9n\u00e9tiques et rencontres nocturnes s’encha\u00eenent dans le monstre urbain.\u00a0<\/strong><\/p>\n

\n

Un projet atypique<\/h4>\n
<\/div>\n
Tourn\u00e9 avec tr\u00e8s peu de moyens, un peu comme une \u00e9pop\u00e9e solitaire bien entour\u00e9e, et beaucoup d’\u00e9nergie, Low Notes<\/em> \u00e9tonne par sa forme, et sa libert\u00e9. On y suit les p\u00e9r\u00e9grinations californiennes de Leon, \u00a0jeune homme assez\u00a0paum\u00e9 et plut\u00f4t t\u00eate-\u00e0-claque, un loser comme on en croise souvent au cin\u00e9ma, pauvre petit gar\u00e7on riche redoutablement auto-centr\u00e9, qui en attendant l’amour, celui qu’il a perdu, ou qu’il n’a pas encore trouv\u00e9, papillonne d’une amiti\u00e9 \u00e0 l’autre, d’une amourette \u00e0 un coup d’un soir, red\u00e9finissant sans m\u00eame le savoir les jeux de l’amour et du hasard \u00e0 la mode\u00a0Tinder. Ces \u00e9tudiants Angeleno plut\u00f4t d\u00e9soeuvr\u00e9s courtisent ou s\u00e9duisent, \u00e0 la fois avec insouciance et gravit\u00e9. Comme souvent, les parents sont incarn\u00e9s par des figures p\u00e9riph\u00e9riques dysfonctionnelles, car c’est bien connu, Toutes les familles sont psychotiques<\/em>, pour citer Douglas Coupland, et celle de Leon ne semble pas d\u00e9roger \u00e0 la r\u00e8gle. Le tout est rythm\u00e9 par les notes lancinantes et m\u00e9lancoliques de violoncelles, de plus en plus pr\u00e9gnantes. Au-del\u00e0 des atermoiements de Leon, le film offre des portraits instantan\u00e9s de toutes une galerie de personnages, autant d’habitants de Los Angeles, souvent venus d’ailleurs (d’ailleurs), crois\u00e9s au hasard d’une soir\u00e9e, ou d’une f\u00eate, et qui contribuent \u00e0 dresser en creux le portrait d’une ville.<\/div>\n
<\/div>\n
\"Low-Notes-Boat\"<\/div>\n<\/div>\n
<\/div>\n

Le r\u00e9alisateur<\/h4>\n

Laurier Fourniau est un jeune cin\u00e9aste d’origine fran\u00e7aise install\u00e9 \u00e0 Bruxelles. Initi\u00e9 au voyage depuis l’enfance, il a s\u00e9journ\u00e9 plusieurs fois \u00e0 l’\u00e9tranger, notamment en Ouzb\u00e9kistan o\u00f9 il apprend le Russe. Ses \u00e9tudes de cin\u00e9ma le conduisent \u00e0 Paris, Los Angeles, puis Bruxelles, croisant des formations aussi diverses que L’Universit\u00e9 de Paris, UCLA, et l’INSAS. Apr\u00e8s un court m\u00e9trage intitul\u00e9 Encore et parall\u00e8lement \u00e0 ses \u00e9tudes, Laurier repart \u00e0 L.A pour y tourner Low Notes, son 1er long m\u00e9trage ind\u00e9pendant. Laurier est \u00e9galement sc\u00e9nariste, monteur, cadreur musicien et photographe.<\/p>\n

\"Low-Notes-Pool\"<\/p>\n

Se laisser contaminer\u00a0par le r\u00e9el<\/h4>\n
Voici ce que\u00a0dit Laurier Fournau de Low Notes<\/em>:<\/div>\n
\n

\u00ab\u00a0Quand je suis parti pour tourner Low Notes<\/em>, je me suis lanc\u00e9 dans l’inconnu, dans un geste cin\u00e9matographique qui ressemblerait \u00e0 celui d’un cin\u00e9aste documentaire pr\u00eat \u00e0 laisser son film \u00eatre contamin\u00e9 par le r\u00e9el. Aussi tortueux soit le chemin, j’\u00e9tais rassur\u00e9 par l’id\u00e9e que je connaissais bien mon terrain, son horizontalit\u00e9, son rythme tout particulier, sa v\u00e9n\u00e9neuse \u00e9nergie et les \u00e2mes qui la composent.<\/p>\n

Los Angeles n’est pas uniquement le de\u0301cor de l’histoire ; elle n’est pas uniquement une \u00ab\u00a0Mecque\u00a0\u00bb du cine\u0301ma qui fascine autant qu’elle effraie partout dans le monde. Par dessus tout, elle est un ve\u0301ritable personnage du film. Immense, myste\u0301rieux, complexe, paradoxal et hypnotisant. L’exploration de la me\u0301gapole devient l’exploration des ne\u0301vroses du personnages, qui d’une certaine fac\u0327on entrent en re\u0301sonances avec certaines pre\u0301occupations de ma ge\u0301ne\u0301ration. Nous vivons dans une e\u0300re d’he\u0301donisme et de surconsommation, ou\u0300 il est difficile de diff\u00e9rencier objet et image, o\u00f9 grand nombre de rep\u00e8res sont mis \u00e0 mal. A travers l’histoire de Leon et Eva, le film est aussi une r\u00e9flexion sur cette question applique\u0301e aux relations humaines.<\/p>\n

Ce qui m’int\u00e9ressait, c’\u00e9tait de confronter pr\u00e9cision d\u2019\u00e9criture et accidents, tant\u00f4t en immergeant des s\u00e9quences tr\u00e8s \u00e9crites dans des situations r\u00e9elles, tant\u00f4t en articulant au contraire enti\u00e8rement des s\u00e9quences autour d’improvisations des dialogues. J’ai voulu malmen\u00e9 sans cesse notre mode op\u00e9ratoire pour questionner les limites entre r\u00e9alit\u00e9 et fiction – l\u2019\u0153il, l’oreille et le cadre toujours ouverts. Car je con\u00e7ois les premiers films comme des laboratoires.\u00a0\u00bb<\/p>\n<\/div>\n

<\/div>\n
Le film sort ce mercredi 31 mai au Cin\u00e9ma Aventure \u00e0 Bruxelles.<\/strong><\/div>\n
<\/div>\n
\"Low-Notes-Affiche\"<\/div>\n","protected":false},"excerpt":{"rendered":"

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