{"id":1900,"date":"2011-05-22T17:51:52","date_gmt":"2011-05-22T17:51:52","guid":{"rendered":"http:\/\/www.cinevox.be\/?p=1900"},"modified":"2011-05-22T19:01:57","modified_gmt":"2011-05-22T19:01:57","slug":"le-cinema-belge-plebiscite-a-cannes","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/le-cinema-belge-plebiscite-a-cannes\/","title":{"rendered":"Le cin\u00e9ma belge pl\u00e9biscit\u00e9 \u00e0 Cannes!"},"content":{"rendered":"

Lorsque nous avons d\u00e9cid\u00e9 de lancer Cinevox<\/a> le 11 mai 2011, soit le jour du d\u00e9but du Festival de Cannes, nous esp\u00e9rions secr\u00e8tement que les Belges s’y comporteraient le mieux possible. Et si un de nos films gagnait un prix dans la foul\u00e9e, ce serait la preuve irr\u00e9futable que notre d\u00e9marche \u00e9tait l\u00e9gitime. Que notre cin\u00e9ma m\u00e9ritait que le public de chez nous lui consacre un peu d’attention.<\/p>\n

Car le monde entier nous l’envie, ce cin\u00e9ma.<\/p>\n

<\/p>\n

Jeudi, premi\u00e8re bonne surprise (d’une longue s\u00e9rie), Dimanches<\/em><\/a>, court m\u00e9trage r\u00e9alis\u00e9 par le jeune\u00a0Val\u00e9ry Rosier<\/strong> <\/strong>et pr\u00e9sent\u00e9 dans le cadre de la Semaine de la Critique, <\/strong>\u00e9tait r\u00e9compens\u00e9 par le Prix D\u00e9couverte Kodak. Dans la foul\u00e9e, il a aussi re\u00e7u une mention sp\u00e9ciale du Petit Rail d’Or.<\/p>\n

\"\"<\/a>Vendredi, \u00f4 d\u00e9lices, nous apprenions que le sympathique Bouli Lanners<\/a>, qui nous avait exceptionnellement re\u00e7us avant de partir pour la Croisette, remportait le prix SACD et le prix des salles Art et Essai de la CECAE qui garantissait \u00e0 ses G\u00e9ants<\/em> une jolie distribution \u00e0 travers toute l’Europe.\u00a0Depuis le d\u00e9but, nous avions pari\u00e9 sur ce film et son r\u00e9alisateur : Bouli est la vedette de\u00a0notre Grand \u00c9cran<\/a> projet\u00e9 dans toutes les salles de cin\u00e9ma num\u00e9riques jusqu’au 8 juin. Comme il l’explique\u00a0ici<\/a>, Bouli n’a qu’un r\u00eave: attirer devant les grands \u00e9crans un maximum de spectateurs pour partager ses histoires. Des histoires simples. Des histoires fortes. Des aventures\u00a0\u00ab\u00a0\u00e0 l’Am\u00e9ricaine\u00a0\u00bb<\/a>, mais tourn\u00e9es chez nous, dans nos r\u00e9gions.<\/p>\n

\"\"<\/a>Samedi, rebelote : L’Exercice de l’Etat<\/a><\/em>, pr\u00e9sent\u00e9 en s\u00e9lection officielle cannoise dans la section Un Certain Regard<\/em>,\u00a0d\u00e9crochait le prix de la critique internationale<\/a>. Un (premier) honneur pour Jean-Pierre et Luc<\/strong> Dardenne<\/strong> qui coproduisent ce thriller politique et un pl\u00e9biscite pour\u00a0Olivier Gourmet<\/strong> qui\u00a0l\u2019interpr\u00e8te\u00a0avec une maestria\u00a0\u00e9poustouflante.<\/p>\n

Restait le gros morceau. Par la force des choses, le public du monde entier aurait les yeux fix\u00e9s sur le Palais des Festivals, ce dimanche soir pour la proclamation des r\u00e9sultats de la comp\u00e9tition officielle. Cette ann\u00e9e, la comp\u00e9tition de tr\u00e8s bon niveau ne permettait pas de d\u00e9gager un vainqueur \u00e9vident. Quatre ou cinq films \u00e9taient sans arr\u00eat point\u00e9s parmi les favoris\u2026 dont Le Gamin au V\u00e9lo<\/a><\/em>.<\/p>\n

Tr\u00e8s t\u00f4t ce dimanche apr\u00e8s-midi, nous avons appris que les fr\u00e8res Dardenne<\/a>, \u00e0 peine remis de la victoire du Standard en coupe de Belgique, reprenaient l’avion pour Cannes, accompagn\u00e9s de leurs acteurs. On nous a demand\u00e9 de ne pas publier l’info et c’est ce que nous avons fait jusqu’\u00e0 ce qu’un grand quotidien s’en charge. Nous avons alors embray\u00e9.<\/p>\n

19h15 : dans le camp belge \u00e0 Cannes, l’excitation est totale. Premier coup de tonnerre : un court-m\u00e9trage flamand r\u00e9colte un prix sp\u00e9cial du jury (une Palme d’Or bis, en fait): il s’agit de Badpakje 46<\/a> pour qui Michel Gondry<\/strong> le pr\u00e9sident a confectionn\u00e9 des Palmes dor\u00e9es artisanales fa\u00e7on\u2026 Gondry (copyright Philippe Reynaert, cf les T-shirts cannois Cinema made in Wallonia).<\/p>\n

\"\"<\/a><\/p>\n

Lorsque le jury de la s\u00e9lection officielle p\u00e9n\u00e9tre sur la sc\u00e8ne sur le coup de 19h26, on retient son souffle au risque de s’asphyxier. Et enfin, on d\u00e9couvre le sort r\u00e9serv\u00e9 au Gamin au V\u00e9lo<\/em> qui d\u00e9croche: le Grand Prix du Jury (ex-aequo avec Il \u00e9tait une fois en Anatolie)<\/p>\n

C’est donc la 5e<\/sup> fois en 12 ans que les fr\u00e8res h\u00e9ritent d’un troph\u00e9e tr\u00e8s important \u00e0 Cannes: six prix en tout, remis par cinq jurys sans rapport entre eux, compos\u00e9s de personnalit\u00e9s diff\u00e9rentes, toutes ind\u00e9pendantes les unes des autres. Un hasard ? Une conspiration mondiale ? Et si, tout simplement, les fr\u00e8res \u00e9taient (parmi) les plus extraordinaires r\u00e9alisateurs contemporains, toujours \u00e9gaux \u00e0 eux-m\u00eames, originaux et bouleversants ? Et, pour le coup, universels !<\/p>\n

\u00c0 nouveau, le cin\u00e9ma belge a ravi le public international. Ce n’est plus un succ\u00e8s, c’est un triomphe, un pl\u00e9biscite. La suite logique serait que ces films (et la F\u00e9e<\/a> aussi, ne l’oublions pas !), remportent un franc succ\u00e8s en salles. Les G\u00e9ants<\/em> et L’Exercice de l’Etat<\/em> sortiront \u00e0 l’automne, mais Le Gamin au V\u00e9lo<\/em> est d\u00e9j\u00e0 sur les grands \u00e9crans. En Belgique, France, Suisse et Italie.<\/p>\n

Les premiers chiffres fran\u00e7ais sont tr\u00e8s prometteurs et permettent d’esp\u00e9rer entre 400.000 et 500.000 spectateurs en bout de course; soit le meilleur score des Fr\u00e8res depuis Rosetta <\/em>et sa palme. Et chez nous ? Nous le disons souvent: \u00e7a ne d\u00e9pend que de vous<\/a> ! Et comme ce film est \u00e0 la fois formidable et tr\u00e8s touchant, il n’y a aucune raison que vous ne succombiez pas au charme d’une C\u00e9cile de France<\/strong> en \u00e9tat de gr\u00e2ce et du jeune Thomas Doret<\/strong>, \u00e9poustouflant.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Lorsque nous avons d\u00e9cid\u00e9 de lancer Cinevox le 11 mai 2011, soit le jour du d\u00e9but du Festival de Cannes, nous esp\u00e9rions secr\u00e8tement que les Belges s’y comporteraient le mieux possible. Et si un de nos films gagnait un prix dans la foul\u00e9e, ce serait la preuve irr\u00e9futable que notre d\u00e9marche \u00e9tait l\u00e9gitime. Que notre …<\/p>\n","protected":false},"author":7,"featured_media":1910,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[12,7],"tags":[],"class_list":["post-1900","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-awards","category-actualites"],"yoast_head":"\nLe cin\u00e9ma belge pl\u00e9biscit\u00e9 \u00e0 Cannes! - We Love Cinema<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/welovecinema.be\/fr\/le-cinema-belge-plebiscite-a-cannes\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le cin\u00e9ma belge pl\u00e9biscit\u00e9 \u00e0 Cannes! - We Love Cinema\" \/>\n<meta property=\"og:description\" content=\"Lorsque nous avons d\u00e9cid\u00e9 de lancer Cinevox le 11 mai 2011, soit le jour du d\u00e9but du Festival de Cannes, nous esp\u00e9rions secr\u00e8tement que les Belges s’y comporteraient le mieux possible. Et si un de nos films gagnait un prix dans la foul\u00e9e, ce serait la preuve irr\u00e9futable que notre d\u00e9marche \u00e9tait l\u00e9gitime. 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