{"id":1446,"date":"2011-05-31T12:01:57","date_gmt":"2011-05-31T12:01:57","guid":{"rendered":"http:\/\/www.cinevox.be\/?p=1446"},"modified":"2011-06-01T11:33:30","modified_gmt":"2011-06-01T11:33:30","slug":"la-fee-numerique","status":"publish","type":"post","link":"https:\/\/welovecinema.be\/fr\/la-fee-numerique\/","title":{"rendered":"La F\u00e9e num\u00e9rique"},"content":{"rendered":"<p>Dans notre rubrique Hi-Tech, vous avez d\u00e9couvert le travail de fourmi qui consiste \u00e0 <a href=\"http:\/\/www.cinevox.be\/postproduction-numerique-la-cerise-sur-le-gateau\/\" target=\"_blank\">postproduire num\u00e9riquement un film<\/a>. Quand nous l&rsquo;avons rencontr\u00e9, <strong>Paul Englebert<\/strong>, le responsable du d\u00e9partement visuel chez <em>Dame Blanche Genval<\/em> travaillait sur <em>Bye Bye Blondie<\/em>. Mais un autre film maquant est aussi pass\u00e9 entre ses mains expertes: <em>La F\u00e9e<\/em> d&rsquo;<strong>Abel, Gordon<\/strong> et <strong>Romy<\/strong>, projet\u00e9 en ouverture de la <em>Quinzaine des R\u00e9alisateurs<\/em> \u00e0 Cannes.<\/p>\n<p><!--more--><\/p>\n<p>Ce film restera comme un\u00a0\u00e9v\u00e8nement\u00a0marquant pour le studio puisque c&rsquo;est le tout premier qui a \u00e9t\u00e9 scann\u00e9 en 4K, offrant \u00e0 l&rsquo;image une d\u00e9finition incroyable. Jusqu&rsquo;ici l&rsquo;immense majorit\u00e9 des longs m\u00e9trages produits en Europe se contentait du standard 2K. Sans entrer dans les d\u00e9tails techniques, on comprend facilement qu&rsquo;on accomplit ici un grand pas. Chaque image en 4K fait 10 millions de pixels, contre 3 millions seulement pour les images scann\u00e9es en 2K. Pour sch\u00e9matiser, disons qu&rsquo;on arrive ici \u00e0 traduire toutes les subtilit\u00e9s de la pellicule classique. En 4K, chaque image p\u00e8se 40 Mo. Tous ceux qui jonglent avec les photos sur leur ordinateur appr\u00e9cieront<\/p>\n<p>\u00ab\u00a0Dans nos films, il y a toujours beaucoup de plans larges\u00a0\u00bb, explique Fiona Gordon. \u00ab\u00a0Dans ces plans, on a un mal fou \u00e0 bien distinguer tous les personnages. On n&rsquo;a pas, comme Tati, acc\u00e8s au 70mm. On cherche donc tous les moyens possibles pour que nos personnages qui sont loin soient bien d\u00e9coup\u00e9s et bien nets. Le 4K \u00e9tait un des moyens de rem\u00e9dier \u00e0 ce probl\u00e8me.\u00a0\u00bb<\/p>\n<p>\u00ab\u00a0\u00c7a permet aussi lors de la phase de l&rsquo;\u00e9talonnage de jouer encore plus pr\u00e9cis\u00e9ment avec les couleurs, surench\u00e9rit Dominique. Si on avait opt\u00e9 pour un \u00e9talonnage chimique (ndlr. Comme Bouli Lanners), on n&rsquo;aurait jamais pu arriver \u00e0 ce r\u00e9sultat. On a fait\u00a0 un gros m\u00e9lange de techniques diverses pour ce film. Petit \u00e0 petit, on d\u00e9couvre l&rsquo;univers de la postproduction num\u00e9rique et c&rsquo;est assez fascinant. Heureusement, nous avons \u00e9t\u00e9 parfaitement guid\u00e9s. Peut-\u00eatre un jour passerons-nous au full num\u00e9rique. En fait, on a d\u00e9j\u00e0 essay\u00e9 cette fois-ci, mais on y a renonc\u00e9, car la prise de vues n&rsquo;encaissait pas assez les hautes lumi\u00e8res, les grandes diff\u00e9rences de contrastes. Comme on aime tous les deux passionn\u00e9ment la mer, ce n&rsquo;est pas facile de travailler en full num\u00e9rique dans ces conditions. On a donc coup\u00e9 la poire en deux : tournage argentique et postproduction num\u00e9rique.\u00a0 La prochaine fois, peut-\u00eatre\u2026 \u00a0\u00bb<\/p>\n<p>Pour <strong>Paul Englebert<\/strong> et <em>Dame Blanche Genval<\/em> (pr\u00e9sente \u00e0 Cannes avec le Cluster <em>Twist<\/em>), cette projection cannoise est donc un \u00e9v\u00e9nement.<\/p>\n<p>\u00ab\u00a0C&rsquo;est une grande fiert\u00e9, confirme le sympathique artiste num\u00e9rique. \u00ab\u00a0La gestion d&rsquo;une post production en 4K implique une logistique tr\u00e8s contraignante due au poids des images, et nombreux s&rsquo;y sont cass\u00e9 les dents. Notre coup d&rsquo;essai s&rsquo;est magnifiquement bien d\u00e9roul\u00e9, et cette ouverture de la Quinzaine couronne un \u00ab\u00a0workflow\u00a0\u00bb sans faille.\u00a0\u00bb<\/p>\n<p>Un film en grosse partie made in Belgium pouss\u00e9 par une industrie made in Belgium. Voil\u00e0 de quoi secouer les plus sceptiques d&rsquo;entre nous !<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dans notre rubrique Hi-Tech, vous avez d\u00e9couvert le travail de fourmi qui consiste \u00e0 postproduire num\u00e9riquement un film. Quand nous l&rsquo;avons rencontr\u00e9, Paul Englebert, le responsable du d\u00e9partement visuel chez Dame Blanche Genval travaillait sur Bye Bye Blondie. Mais un autre film maquant est aussi pass\u00e9 entre ses mains expertes: La F\u00e9e d&rsquo;Abel, Gordon et &hellip;<\/p>\n","protected":false},"author":7,"featured_media":1448,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[53,7],"tags":[],"class_list":["post-1446","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-coming-soon","category-actualites"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>La F\u00e9e num\u00e9rique - We Love Cinema<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/welovecinema.be\/fr\/la-fee-numerique\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La F\u00e9e num\u00e9rique - We Love Cinema\" \/>\n<meta property=\"og:description\" content=\"Dans notre rubrique Hi-Tech, vous avez d\u00e9couvert le travail de fourmi qui consiste \u00e0 postproduire num\u00e9riquement un film. Quand nous l&rsquo;avons rencontr\u00e9, Paul Englebert, le responsable du d\u00e9partement visuel chez Dame Blanche Genval travaillait sur Bye Bye Blondie. Mais un autre film maquant est aussi pass\u00e9 entre ses mains expertes: La F\u00e9e d&rsquo;Abel, Gordon et &hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/welovecinema.be\/fr\/la-fee-numerique\/\" \/>\n<meta property=\"og:site_name\" content=\"We Love Cinema\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/welovecinema.be\" \/>\n<meta property=\"article:published_time\" content=\"2011-05-31T12:01:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2011-06-01T11:33:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2011\/05\/f\u00e9e-13.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"600\" \/>\n\t<meta property=\"og:image:height\" content=\"400\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Philippe.Pierquin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Philippe.Pierquin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/welovecinema.be\/fr\/la-fee-numerique\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/welovecinema.be\/fr\/la-fee-numerique\/\"},\"author\":{\"name\":\"Philippe.Pierquin\",\"@id\":\"https:\/\/welovecinema.be\/nl\/#\/schema\/person\/4b9b1d857f0943453a38a7c2859ef756\"},\"headline\":\"La F\u00e9e num\u00e9rique\",\"datePublished\":\"2011-05-31T12:01:57+00:00\",\"dateModified\":\"2011-06-01T11:33:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/welovecinema.be\/fr\/la-fee-numerique\/\"},\"wordCount\":538,\"publisher\":{\"@id\":\"https:\/\/welovecinema.be\/nl\/#organization\"},\"articleSection\":[\"Coming soon\",\"News\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/welovecinema.be\/fr\/la-fee-numerique\/\",\"url\":\"https:\/\/welovecinema.be\/fr\/la-fee-numerique\/\",\"name\":\"La F\u00e9e num\u00e9rique - 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