{"version":"1.0","provider_name":"We Love Cinema","provider_url":"https:\/\/welovecinema.be\/fr\/","author_name":"Philippe.Pierquin","author_url":"https:\/\/welovecinema.be\/fr\/author\/philippe-pierquin\/","title":"Wim Willaert, la prestance et l\u2019\u00e9motion de l\u2019inconscience - We Love Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"k747qjWUgM\"><a href=\"https:\/\/welovecinema.be\/fr\/wim-willaert-la-prestance-et-lemotion-de-linconscience\/\">Wim Willaert, la prestance et l\u2019\u00e9motion de l\u2019inconscience<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/welovecinema.be\/fr\/wim-willaert-la-prestance-et-lemotion-de-linconscience\/embed\/#?secret=k747qjWUgM\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Wim Willaert, la prestance et l\u2019\u00e9motion de l\u2019inconscience\u00a0\u00bb &#8212; We Love Cinema\" data-secret=\"k747qjWUgM\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2010\/11\/Le-ciel-flamand-Peter-Monsaert-Wim-Willaert-Esra-Vandenbussche-friterie.jpg","thumbnail_width":960,"thumbnail_height":539,"description":"Dans Le Ciel flamand, Wim Willaert trouve un r\u00f4le en or, celui de Dirk, un \u00ab\u00a0tonton\u00a0\u00bb bouleversant et d\u00e9pass\u00e9 par des \u00e9v\u00e9nements qui vont en faire une victime collat\u00e9rale. Sans masque mais avec un lourd fardeau, Wim Willaert fait le plein d\u2019humanit\u00e9 et d\u2019\u00e9motions. Interview."}