{"version":"1.0","provider_name":"We Love Cinema","provider_url":"https:\/\/welovecinema.be\/fr\/","author_name":"Aurore Engelen","author_url":"https:\/\/welovecinema.be\/fr\/author\/aurore-engelen\/","title":"\"The Wall\", la banalit\u00e9 du mal - We Love Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"C7k1Yu7YsU\"><a href=\"https:\/\/welovecinema.be\/fr\/the-wall-la-banalite-du-mal\/\">\u00ab\u00a0The Wall\u00a0\u00bb, la banalit\u00e9 du mal<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/welovecinema.be\/fr\/the-wall-la-banalite-du-mal\/embed\/#?secret=C7k1Yu7YsU\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0\u00ab\u00a0The Wall\u00a0\u00bb, la banalit\u00e9 du mal\u00a0\u00bb &#8212; We Love Cinema\" data-secret=\"C7k1Yu7YsU\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2023\/09\/still-c422612-2-1695506417955.jpg","thumbnail_width":1200,"thumbnail_height":780,"description":"Philippe Van Leeuw se livre avec The Wall \u00e0 une implacable dissection de la banalit\u00e9 du mal, le film r\u00e9sonnant comme un western ultra-contemporain en prise avec les d\u00e9mons universels du racisme et de la peur de l\u2019autre. Avec The Wall, d\u00e9voil\u00e9 en premi\u00e8re mondiale au BRIFF en juillet dernier, Philippe Van Leeuw explore de &hellip;"}