{"version":"1.0","provider_name":"We Love Cinema","provider_url":"https:\/\/welovecinema.be\/fr\/","author_name":"Aurore Engelen","author_url":"https:\/\/welovecinema.be\/fr\/author\/aurore-engelen\/","title":"Olivier Meys: \"s'exiler pour monter dans le train de la modernit\u00e9\" - We Love Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"nWKMtBx3ZK\"><a href=\"https:\/\/welovecinema.be\/fr\/olivier-meys-sexiler-monter-train-de-modernite\/\">Olivier Meys: \u00ab\u00a0s&rsquo;exiler pour monter dans le train de la modernit\u00e9\u00a0\u00bb<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/welovecinema.be\/fr\/olivier-meys-sexiler-monter-train-de-modernite\/embed\/#?secret=nWKMtBx3ZK\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Olivier Meys: \u00ab\u00a0s&rsquo;exiler pour monter dans le train de la modernit\u00e9\u00a0\u00bb\u00a0\u00bb &#8212; We Love Cinema\" data-secret=\"nWKMtBx3ZK\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2018\/03\/OlivierMeysCinevox.jpg","thumbnail_width":4032,"thumbnail_height":3024,"description":"Nous avons rencontr\u00e9 le r\u00e9alisateur Olivier Meys \u00e0 l&rsquo;occasion de la sortie belge de son premier long m\u00e9trage de fiction, Bitter Flowers. Bitter Flowers offre tout \u00e0 la fois une histoire d\u2019amours contrari\u00e9es, un tableau pudique mais saisissant du milieu de la prostitution chinoise \u00e0 Paris, et un portrait \u00e9mouvant de la complicit\u00e9 qui unit &hellip;"}