{"version":"1.0","provider_name":"We Love Cinema","provider_url":"https:\/\/welovecinema.be\/fr\/","author_name":"Philippe.Pierquin","author_url":"https:\/\/welovecinema.be\/fr\/author\/philippe-pierquin\/","title":"Le New York Times sous le charme de l\u2019actrice belge Veerle Baetens - We Love Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"AKCS0yoVqP\"><a href=\"https:\/\/welovecinema.be\/fr\/new-york-times-charme-lactrice-belge-veerle-baetens\/\">Le New York Times sous le charme de l\u2019actrice belge Veerle Baetens<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/welovecinema.be\/fr\/new-york-times-charme-lactrice-belge-veerle-baetens\/embed\/#?secret=AKCS0yoVqP\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Le New York Times sous le charme de l\u2019actrice belge Veerle Baetens\u00a0\u00bb &#8212; We Love Cinema\" data-secret=\"AKCS0yoVqP\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2013\/11\/1008648_the_broken_circle_breakdown_1340956212058.jpg","thumbnail_width":750,"thumbnail_height":500,"description":"L\u2019interpr\u00e9tation de Veerle Baetens dans le film de Felix van Groeningen The Broken Circle Breakdown (Alabama Monroe) est l\u2019une des quatre \u201cstandout performances in film\u201d de cet hiver.\u00a0 C\u2019est le verdict de Logan Hill, le critique cin\u00e9ma du tr\u00e8s influent\u00a0 \u2018New York Times&rsquo; qui le publie dans son \u00e9dition du weekend.\u00a0"}