{"version":"1.0","provider_name":"We Love Cinema","provider_url":"https:\/\/welovecinema.be\/fr\/","author_name":"Philippe.Pierquin","author_url":"https:\/\/welovecinema.be\/fr\/author\/philippe-pierquin\/","title":"Les Tribulations d'une Caissi\u00e8re : la bande-annonce - We Love Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"o19NW2okAP\"><a href=\"https:\/\/welovecinema.be\/fr\/les-tribulations-dune-caissiere-la-bande-annonce\/\">Les Tribulations d&rsquo;une Caissi\u00e8re : la bande-annonce<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/welovecinema.be\/fr\/les-tribulations-dune-caissiere-la-bande-annonce\/embed\/#?secret=o19NW2okAP\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Les Tribulations d&rsquo;une Caissi\u00e8re : la bande-annonce\u00a0\u00bb &#8212; We Love Cinema\" data-secret=\"o19NW2okAP\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2012\/07\/tc1.jpg","thumbnail_width":"1280","thumbnail_height":"720","description":"Apr\u00e8s avoir d\u00fb abandonner ses \u00e9tudes de lettres, Solweig est forc\u00e9e d&rsquo;accepter les jobs qui se pr\u00e9sentent. Elle devient donc caissi\u00e8re. Ses journ\u00e9es se r\u00e9sument aux bips de la caisse enregistreuse, aux produits \u00e0 soulever, aux \u00ab\u00a0bonjours\u00a0\u00bb et \u00ab\u00a0au revoir\u00a0\u00bb adress\u00e9s \u00e0 des clients qui ne r\u00e9pondent pas toujours. Sous le regard lubrique d&rsquo;un chef &hellip;"}