{"version":"1.0","provider_name":"We Love Cinema","provider_url":"https:\/\/welovecinema.be\/fr\/","author_name":"Philippe.Pierquin","author_url":"https:\/\/welovecinema.be\/fr\/author\/philippe-pierquin\/","title":"Les \u00c9motifs Anonymes  Magritte de la meilleure coproduction \u00e9trang\u00e8re - We Love Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"zbSaNhyfzO\"><a href=\"https:\/\/welovecinema.be\/fr\/les-emotifs-anonymes-benoitement-carre\/\">Les \u00c9motifs Anonymes <br> Magritte de la meilleure coproduction \u00e9trang\u00e8re<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/welovecinema.be\/fr\/les-emotifs-anonymes-benoitement-carre\/embed\/#?secret=zbSaNhyfzO\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Les \u00c9motifs Anonymes &lt;br&gt; Magritte de la meilleure coproduction \u00e9trang\u00e8re\u00a0\u00bb &#8212; We Love Cinema\" data-secret=\"zbSaNhyfzO\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/welovecinema.be\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2011\/07\/ea5.jpg","thumbnail_width":"1200","thumbnail_height":"800","description":"Apr\u00e8s avoir tourn\u00e9 coup sur coup Ast\u00e9rix aux jeux Olympiques qui faillit le rendre fou, Louise Michel et la Guerre des Miss, plut\u00f4t sympathique, mais qui ne laissera pas un grand souvenir chez les cin\u00e9philes francophones, Benoit Poelvoorde, sur les rotules, d\u00e9cida de jeter l&rsquo;\u00e9ponge. Et pas pour s&rsquo;inscrire aux\u00a0\u00c9motifs\u00a0Anonymes. [Magritte 2012 de la meilleure &hellip;"}