{"version":"1.0","provider_name":"We Love Cinema","provider_url":"https:\/\/welovecinema.be\/fr\/","author_name":"Aurore Engelen","author_url":"https:\/\/welovecinema.be\/fr\/author\/aurore-engelen\/","title":"\"Golden Eighties\": relecture pop du cin\u00e9ma d'Akerman - We Love Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"QUT1lzBH2X\"><a href=\"https:\/\/welovecinema.be\/fr\/golden-eighties-relecture-pop-du-cinema-dakerman\/\">\u00ab\u00a0Golden Eighties\u00a0\u00bb: relecture pop du cin\u00e9ma d&rsquo;Akerman<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/welovecinema.be\/fr\/golden-eighties-relecture-pop-du-cinema-dakerman\/embed\/#?secret=QUT1lzBH2X\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0\u00ab\u00a0Golden Eighties\u00a0\u00bb: relecture pop du cin\u00e9ma d&rsquo;Akerman\u00a0\u00bb &#8212; We Love Cinema\" data-secret=\"QUT1lzBH2X\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2024\/04\/GoldenEighties2.jpg","thumbnail_width":1920,"thumbnail_height":1080,"description":"A l&rsquo;occasion de la grande exposition et de la r\u00e9trospective Chantal Akerman organis\u00e9es par Bozar et la Cinematek, le cin\u00e9ma Palace ressort Golden Eighties, p\u00e9pite pop de la r\u00e9alisatrice, et propose une exposition des photos de plateau sign\u00e9es par Jean Ber. En 1986 sort Golden Eighties, une com\u00e9die musicale sign\u00e9e Chantal Akerman. Ce n&rsquo;est certes &hellip;"}