{"version":"1.0","provider_name":"We Love Cinema","provider_url":"https:\/\/welovecinema.be\/fr\/","author_name":"Philippe.Pierquin","author_url":"https:\/\/welovecinema.be\/fr\/author\/philippe-pierquin\/","title":"Eric Pauwels \u00e0 propos de \u00ab\u00a0La Deuxi\u00e8me nuit\u00a0\u00bb. - We Love Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"EZ3cA9cwAj\"><a href=\"https:\/\/welovecinema.be\/fr\/eric-pauwels-a-propos-de-la-deuxieme-nuit\/\">Eric Pauwels \u00e0 propos de \u00ab\u00a0La Deuxi\u00e8me nuit\u00a0\u00bb.<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/welovecinema.be\/fr\/eric-pauwels-a-propos-de-la-deuxieme-nuit\/embed\/#?secret=EZ3cA9cwAj\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Eric Pauwels \u00e0 propos de \u00ab\u00a0La Deuxi\u00e8me nuit\u00a0\u00bb.\u00a0\u00bb &#8212; We Love Cinema\" data-secret=\"EZ3cA9cwAj\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2010\/05\/La-deuxi\u00e8me-nuit-5.jpg","thumbnail_width":783,"thumbnail_height":422,"description":"Eric Pauwels est n\u00e9 \u00e0 Anvers en 1953. Passionn\u00e9 de cin\u00e9ma et fascin\u00e9 par l\u2019anthropologie, il suit un doctorat en cin\u00e9matographie \u00e0 la Sorbonne aupr\u00e8s de Jean\u00a0Rouch, l\u2019une de ses influences fondamentales.\u00a0 Il r\u00e9alise entre 1976 et 1983 une s\u00e9rie de 10 documentaires ethnographiques sur les danses de possession en Asie du Sud-Est."}