{"version":"1.0","provider_name":"We Love Cinema","provider_url":"https:\/\/welovecinema.be\/fr\/","author_name":"Philippe.Pierquin","author_url":"https:\/\/welovecinema.be\/fr\/author\/philippe-pierquin\/","title":"Carte blanche \u00e0 Philippe Reynaert, \u00e0 propos de \"Deux jours, une nuit\" - We Love Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"KYZUN7acll\"><a href=\"https:\/\/welovecinema.be\/fr\/carte-blanche-philippe-reynaert-propos-jours-nuit\/\">Carte blanche \u00e0 Philippe Reynaert, \u00e0 propos de \u00ab\u00a0Deux jours, une nuit\u00a0\u00bb<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/welovecinema.be\/fr\/carte-blanche-philippe-reynaert-propos-jours-nuit\/embed\/#?secret=KYZUN7acll\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Carte blanche \u00e0 Philippe Reynaert, \u00e0 propos de \u00ab\u00a0Deux jours, une nuit\u00a0\u00bb\u00a0\u00bb &#8212; We Love Cinema\" data-secret=\"KYZUN7acll\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2014\/05\/LOVE-LOVE-LOVE.jpg","thumbnail_width":665,"thumbnail_height":428,"description":"Philippe Reynaert n\u2019est pas que le directeur de Wallimage. C\u2019est surtout un cin\u00e9phile averti et passionn\u00e9. Une merveilleuse plume qui fut, rappelons-le aux plus jeunes, le r\u00e9dacteur en chef de Visions, un magazine pionnier qui, au d\u00e9but des ann\u00e9es 80, proposait une r\u00e9elle r\u00e9flexion sur le 7e Art.\u00a0 \u00a0 En revenant de Cannes, son sang &hellip;"}