{"version":"1.0","provider_name":"We Love Cinema","provider_url":"https:\/\/welovecinema.be\/fr\/","author_name":"Philippe.Pierquin","author_url":"https:\/\/welovecinema.be\/fr\/author\/philippe-pierquin\/","title":"141 projets de s\u00e9ries t\u00e9l\u00e9vis\u00e9es pour quatre slots de diffusion - We Love Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"pixW515usW\"><a href=\"https:\/\/welovecinema.be\/fr\/141-projets-series-televisees-quatre-slots-diffusion\/\">141 projets de s\u00e9ries t\u00e9l\u00e9vis\u00e9es pour quatre slots de diffusion<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/welovecinema.be\/fr\/141-projets-series-televisees-quatre-slots-diffusion\/embed\/#?secret=pixW515usW\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0141 projets de s\u00e9ries t\u00e9l\u00e9vis\u00e9es pour quatre slots de diffusion\u00a0\u00bb &#8212; We Love Cinema\" data-secret=\"pixW515usW\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/welovecinema.be\/wp-content\/uploads\/sites\/2\/2013\/10\/2014.jpg","thumbnail_width":1186,"thumbnail_height":653,"description":"En Scandinavie, en Angleterre, mais aussi en Flandre, la bonne sant\u00e9 actuelle de la cin\u00e9matographie locale repose en partie sur la vivacit\u00e9 des s\u00e9ries t\u00e9l\u00e9vis\u00e9es qui ont contribu\u00e9 \u00e0 former une nouvelle g\u00e9n\u00e9ration d\u2019acteurs, de r\u00e9alisateurs, de techniciens d\u00e9sormais habitu\u00e9s \u00e0 travailler vite et bien pour des budgets plut\u00f4t t\u00e9nus. &nbsp; Tr\u00e8s conscients de ce &hellip;"}